| HS Code | 540938 |
| Product Name | Permanent Red 169 |
| Color Index Name | Pigment Red 169 |
| Color Index Number | CI 45160 |
| Chemical Class | Azo |
| Cas Number | 12237-63-7 |
| Appearance | Bright red powder |
| Chemical Formula | C33H24N6O6 |
| Lightfastness | Good to very good |
| Oil Absorption | 55-65 g/100g |
| Opacity | Semi-transparent |
| Density | 1.5–1.7 g/cm³ |
As an accredited Permanent Red 169 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | The packaging for Permanent Red 169 contains 500g of pigment, sealed in a sturdy, labeled white plastic jar with safety instructions. |
| Shipping | Permanent Red 169 should be shipped in tightly sealed containers, protected from moisture and direct sunlight. Handle with care to avoid spills. Transport in accordance with local, national, and international regulations for hazardous chemicals. Ensure labeling is clear, and provide safety data sheets with the shipment. Suitable for ground, air, and sea freight. |
| Storage | Permanent Red 169 should be stored in a tightly closed container in a cool, dry, and well-ventilated area. Protect it from light, moisture, and incompatible substances such as strong oxidizers. Avoid generating dust and keep away from heat or ignition sources. Proper labeling and secure placement are essential to prevent accidental spills or contamination. Always follow applicable safety guidelines. |
Competitive Permanent Red 169 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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From the start, our job as a chemical manufacturer has never been just about getting a pigment to the customer. We work through the full process, from raw material to packed product, and that brings a perspective customers rarely get from catalog listings. Permanent Red 169 stands out to us, not only because it's a staple in our plant, but also because it's a pigment we’ve seen perform across many industries and demanding environments. Its chemical structure—C.I. Pigment Red 169, also known by its CAS number 12237-63-7—offers a certain reliability and consistency that end-users depend on, particularly in plastics and coatings.
The journey of Red 169 starts on the production floor. We source raw intermediates like dichloroaniline and couple them under precisely controlled conditions to get the beta-naphthol substrate right. The proper grind defines everything here. Insufficient grinding reduces tinting strength and leaves oversized particles that can lead to filter issues or poor gloss in finished coatings. Over-grinding, on the other hand, pushes labor and energy costs high and brings diminishing returns. Experience tells us that the right fineness for Red 169 is one that ensures a crisp, strong red with minimal waste generation—and you have to nail that during the wet milling stage.
In the daily run of samples, the color shade of Red 169 falls somewhere between a bright, mid-intensity red and a slightly blue undertone, clean and vibrant. This isn’t a theory—we see it under the QC lightbox with multiple batches a day. On a technical level, this pigment lays down in high-strength plastics and coatings, offering colorfastness and light resistance that outperform older pigments like Red 57:1. From our data, exposure tests show a notable difference between Red 169 and the more common azo pigments in chip coatings; parts colored with 169 keep their intensity longer under sunlight simulation.
The oil absorption value of Red 169 hovers at a level comfortable for most binder systems. We routinely measure this property before shipment using the spatula method, and customers in printing inks especially request this test report. Lower oil absorption in Red 169 means less binder is needed for the same color development, which translates into cost savings at the formulation level—a detail that texbook descriptions rarely explain with numbers.
Particle size distribution plays a big part in dispersion behavior. We’ve dialed in the median particle size to around 0.4 to 0.7 microns for most lots, catering mostly to masterbatch makers and ink producers. A narrower size range means less settling, easier wetting, and less rework in downstream dispersion. That reduces dust generation during transfer, a feature our plant operators appreciate as much as our customers.
On a busy day, we often get calls from film extruders and OEM paint shops asking about the practical differences between Red 169 and its close relatives like Red 170, Red 53:1, and Red 254. The differences may sound technical, but the impacts are real. Red 170 offers stronger bluish undertones, slightly higher shade strength, but sacrifices some lightfastness, especially when used in exterior coatings. Red 254 sits at the top in terms of durability and weather resistance but comes with a much higher price, which matters for large batch runs or price-sensitive jobs. Red 169 offers a balance: it performs well on cost, while also holding down UV stability better than many other organic reds.
This balance becomes clearer in plastics. In our own QC labs, we’ve run accelerated weathering tests on polypropylene test plaques, blending Red 169 at various let-down ratios. Even after 500 hours in xenon arc testing, Red 169 maintains over 90% chroma retention, compared to a 70-80% drop with some cheaper neutral reds. This matters most for customers working in outdoor furniture, toy manufacturing, and automotive interiors, where color change could lead to large-scale returns or warranty issues.
Formulators in industrial and decorative coating segments choose Red 169 for both aesthetic value and stability. Our plant often deals with small automotive paint shops as well as multinational paint formulators. Both report that Red 169 holds its color with less risk of blooming, bleeding, or migration into the clear topcoat. The small particle size and physical stability also mean less surfactant is needed, which helps finished paint films maintain gloss and water resistance.
Printing ink manufacturers constantly push us for pigments that can handle fast machine speeds and heat without shifting shade or drying too slowly. We’ve worked alongside their technicians, swapping real test batches—Red 169 performs better in offset and letterpress systems that favor a sharp, clean red without yellowing or muddying the ink. In packaging, especially for food-contact cartons and wrappers, our Red 169 conforms to several international standards and is made to minimize heavy metal residues, responding to increasing regulatory pressure we’ve felt from EU importers.
Running a chemical plant today means dealing with environmental controls that older manufacturers barely thought about. We treat our Red 169 effluents using advanced filtration followed by in-plant biological treatment. The focus is on keeping chemical oxygen demand low and making sure no heavy metals or persistent organic pollutants leave the site. Auditors from regulatory agencies frequently walk our site and check every part of the chain, from drum labeling to wastewater monitoring, so our compliance documentation for Red 169 has to be air-tight.
For pigment users worried about RoHS compliance or REACH registration, we provide composition certificates and test results inline with every production batch. Red 169 does not contain lead, mercury, or chromium compounds, and our heavy metals lab checks levels against the strictest guidelines. In our experience, customers ask for this paperwork far more often now than even five years ago, especially those serving the European, North American, and Japanese markets. This has driven us to tighten internal controls and invest in ICP-OES analyzers dedicated for pigment analysis, rather than relying on generic lab tests.
Pigment production is more than just reacting chemicals and filtering. Each plant operator can recount batch-specific tweaks done to nail the shade, whether that’s adjusting pH during coupling or holding temperature a few degrees longer during isolation. Consistency depends on operator skill as much as automation, and we train new hires in the importance of careful batch tracking. We use laser particle size analyzers and colorimeters on every lot, but experienced staff still trust their eyes and hands during quality control—catching slurry viscosity anomalies or off-shade wet cakes before they reach the dryer.
Customers tell us they see the difference. A consistent Red 169 base means fewer lot-to-lot adjustments in their masterbatch or coatings lines, saving downtime and materials in the long run. That’s not an efficiency you see in a product spec, but it’s what we hear about in production meetings, especially from medium-sized plastics plants and regional paint makers who don’t have resources for complex re-balancing of every new drum of pigment.
In the past several years, more brands have turned away from pigments like Red 57:1 and Red 60 due to migration, heavy metal, and lightfastness issues. Red 169’s rise owes much to these pressures. Compared to cheaper alternatives, it stands up to the stricter demands being set for packaging, children’s products, and outdoor applications. In the plant, we see this trend reflected in our batch schedules—demand for Red 169 and related mid-tone reds outpaces that for older types.
Down the line, we believe the future rests not just on shade or price but on how pigments like Red 169 fit into a world facing tougher regulations, expectations for sustainability, and greater consumer scrutiny. Our R&D engineers are working on ways to optimize water consumption in the synthesis, recover more raw materials from wash filtrates, and further reduce waste pigments. We pilot these changes in parallel with full-scale runs, always checking that the batch-to-batch color doesn’t shift, and customer applications remain unaffected. Implementing closed-loop water systems and reusing sodium salt by-products are ongoing projects, with direct implications for our Red 169 output.
It’s common to receive feedback from paper and plastic product manufacturers about how Red 169 holds up under stress. One long-time customer making artificial leather shared how switching from Red 53:1 to Red 169 reduced product returns, as the red kept its vibrancy even after sunlight aging and chemical exposure. Another small packaging operation described how the improved dispersibility of Red 169 meant they spent less on defoamers and dispersing additives, shaving real cost off their production. These stories, collected over years of working with real users, drive our ongoing effort to tune both quality and service.
Artwork producers, especially those dealing with high-end décor papers, push our developers for even finer particle cuts and zero visible speck contamination. We respond by customizing grind times, selectively filtering critical production batches, and running extra bleach tests to ensure no off-color or undispersed pigment passes through.
On the production floor, Red 169 responds well to both powder and presscake handling. We ship most of our output as dry powders packed tightly in dust-suppressing bags, but some customers—especially those in water-borne coatings—request presscake form for easier integration. We invest in high-shear mixers and dust control hoods to ensure a safer working environment, keeping dust levels below regulatory limits and reducing product loss.
Operators emphasize the importance of correct product storage and transfer. Red 169’s fine particle size can contribute to airborne dust if bags are mishandled, so we always remind partner plants to use mechanical arms and sealed transfer valves. This practice reduces not just material waste, but employee respiratory exposure, which is a top safety concern for us and plant customers alike.
Our approach to Permanent Red 169 stems from decades of experience, hands-on process improvement, and continuous feedback from direct users. That’s what it takes to maintain a pigment that factories depend on for color reliability and quality. In the pigment world, it’s not enough to simply pass technical specifications. The demands of ink makers, plastic compounders, and coating formulators drive us to produce Red 169 that they can incorporate without fear of product failure, color drift, or environmental non-compliance.
Over time, we have replaced aging reactors, upgraded filter presses, and added state-of-the-art color labs, all to keep pace with the rising quality bar. The best indicator of progress is how few quality complaints we now receive, compared to even a decade ago. It’s not just machines and certifications that do this—it’s the trained eyes, hands, and pride of manufacturing culture built over years. This shows up in every drum and bag we ship, and in the relationships we maintain with our loyal downstream customers.
Permanent Red 169 does not exist in a vacuum. As the market begins to care more about environmental compliance, regulatory limits, and traceability, the pigment’s value grows with the strength of its supporting production process and the openness of the manufacturer. We see ourselves not just as pigment suppliers, but as partners to every customer, keeping their lines running and their products protected from the pitfalls of color instability, poor regulatory fit, or inconsistency. As regulations keep changing, and as the chemical world demands higher transparency and cleaner production, we remain committed to producing Red 169 in a way that stands up to inspection by anyone who looks—regulator or end user.
The future, from our perspective as hands-on producers, lies in steady improvement and honest communication. With decades of accumulated problem-solving and a real investment in both people and plant, we believe Permanent Red 169 will continue to set the standard for mid-intensity organic reds in coatings, plastics, inks, and specialty applications. Every drum that leaves our site reflects that ongoing effort, shaped by user feedback, practical manufacturing experience, and a focus on what matters over the long term.