|
HS Code |
335266 |
| Chemical Name | Lithol Mauve |
| Color Index Number | Pigment Red 170 |
| Appearance | Mauve to reddish powder |
| Solubility In Water | Insoluble |
| Chemical Formula | C18H14N2O6S |
| Molecular Weight | 386.38 g/mol |
| Melting Point | Decomposes before melting |
| Usage | Textile, inks, paints, plastics |
| Lightfastness | Moderate to good |
| Toxicity | Low under normal conditions |
| Stability | Stable under normal conditions |
| Ph Range | 6-8 |
| Bulk Density | 0.45-0.60 g/cm³ |
| Odor | Odorless |
As an accredited Lithol Mauve factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Lithol Mauve is packaged in a sealed 500g amber plastic bottle, labeled with hazard warnings, batch number, and manufacturer details. |
| Shipping | Lithol Mauve should be shipped in tightly sealed containers to prevent moisture and contamination. Store in a cool, dry, and well-ventilated area, away from strong oxidizers. Proper labeling and adherence to local regulations for transportation of dyes and chemicals are essential to ensure safe handling during shipping. |
| Storage | Lithol Mauve should be stored in a cool, dry, and well-ventilated area, away from direct sunlight and sources of ignition. Keep the container tightly closed and properly labeled. Store separately from incompatible substances, such as strong oxidizers. Ensure storage areas have suitable spill containment. Follow all regulatory and manufacturer guidelines for safe handling and environmental protection. |
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Purity 97%: Lithol Mauve with 97% purity is used in textile dyeing applications, where it ensures high color saturation and uniform fabric coverage. Particle size 20 microns: Lithol Mauve of 20 microns particle size is used in water-based ink formulations, where it improves dispersion stability and print clarity. Melting point 210°C: Lithol Mauve with a melting point of 210°C is used in plastic pigmentation, where it enables resistance to thermal degradation during processing. Lightfastness Grade 5: Lithol Mauve with lightfastness grade 5 is used in artist paints, where it delivers prolonged color retention under light exposure. Oil absorption 48 g/100g: Lithol Mauve with an oil absorption of 48 g/100g is used in offset printing inks, where it enhances flow properties and consistency. pH stability 4-8: Lithol Mauve with pH stability between 4 and 8 is used in paper coatings, where it maintains color integrity across varying pH conditions. Moisture content <1%: Lithol Mauve with moisture content below 1% is used in cosmetic formulations, where it ensures product stability and prevents clumping. Heat stability up to 180°C: Lithol Mauve with heat stability up to 180°C is used in rubber compounding, where it provides consistent shade and prevents color fading during vulcanization. Solubility in ethanol: Lithol Mauve soluble in ethanol is used in denatured alcohol markers, where it guarantees smooth application and vibrant coloration. Dispersibility in aqueous systems: Lithol Mauve with excellent dispersibility in aqueous systems is used in emulsion paints, where it achieves homogeneous tinting and optimum film appearance. |
Competitive Lithol Mauve prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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Years of hands-on production have given us a deep view into what works and what doesn’t for pigment applications. Among organic pigments, Lithol Mauve (commonly designated as Pigment Red 57:1, or C.I. 15850:1) stands out for reliable performance in the printing and plastics trades. Our experience as a manufacturer runs deep: we oversee every step from raw input to finished powder or presscake. There’s nothing generic or abstract about manufacturing this pigment—on our end, careful control and sound process design drive the qualities you expect in the final product.
Lithol Mauve delivers an eye-catching blue-leaning magenta shade that brings richness to offset inks, gravure work, and even textile prints. We make the popular 4RB model, which provides neutral undertones and a balanced depth. All batches reflect consistent chroma and tone, essential for repeat jobs in packaging or commercial print where color drift causes costly headaches.
In the factory, each lot undergoes stringent testing for specific shade strength and dispersion quality. We know far too well that shortcutting dispersion steps or missing pH targets results in gritty, unusable pigment—and nobody wants surprises once the material lands at the customer’s mixer. Particle size sits right in the optimal window: too coarse and you’ll see speckling, too fine and handling grows dusty. Getting this balance right means printers see the same outcome with every shipment.
Printers and ink formulators come to us for Lithol Mauve because they want value, not just color for the sake of it. Many say our pigment handles resin blends and solvents without fuss. Light stability and printfastness matter a lot, especially for outdoor labels or reusable bags. Over extended production runs, Lithol Mauve’s color doesn’t drift or fade; that stems directly from controlling trace metal content and salt residues during synthesis. Each small variable in the build process can weaken these long-term qualities—manufacturers see this up close over thousands of kilos, unlike a trading house that only logs the outgoing invoice.
We focus on batch integrity from the ground up. We monitor each critical control point: temperature, pH, flow rates, and timing. Failures or shortcuts in these areas produce weak color or poor dispersibility, and sometimes you can’t tell until it’s too late. Inks and paints absorb those losses if the pigment doesn’t hold up, and we’d be the first to hear about it. Think of the thousands of metric tons running through presses worldwide—repeatability isn’t just an industry buzzword; it’s our daily base job.
Direct experience tells us where Lithol Mauve fits in. Compared to classical reds or monoazo yellows, this pigment holds its own through its brilliant violet-red shade and easy compatibility with other organics. Iron oxide reds can dominate on opacity, but their earthiness can dull down a mix. Lithol Mauve punches above its weight for strength and clarity of tone, while keeping the price in check—crucial for high-volume print jobs.
Copper phthalocyanine pigments bring power to greenish blues, not reds. Quinacridones supply deep magentas but with much higher cost and tougher dispersion. Many printers and compounders choose Lithol Mauve as a workhorse—it balances raw color appeal with processability and shelf economics.
Plenty of pigment products claim to be consistent on the brochure. In practice, pigment quality runs only as true as the methods and oversight behind it. Every batch tells a story of adjustments—a single variable, like cleaning frequency or reactant concentration, can tip a line from a reliable run into rework territory. We maintain lot records and machine logs so any pigment you receive tracks back through our process. When end users report issues, they usually come down to skipped QA checks or shortcuts upstream. This feedback loop teaches us daily why minor details grow into major differences in use—no trade copy can take the place of raw experience.
Manufacturing Lithol Mauve involves specific hurdles. The naphthol coupling steps are sensitive to water quality, reactant grades, and timing. Variations can creep in from differences in water hardness or a poorly calibrated pump. Trained operators keep vigilant watch for off-spec developments; even short deviations can lead to a faded tone or miserably low yield. Blocking these issues early saves massive labor and energy waste down the line. Over time, feedback for better filtration, washing, and drying has come directly from the challenges our own process lines created. This isn’t theory, it’s the daily reality in pigment shops.
Strength tests in the lab never tell the full story. End users sometimes blend Lithol Mauve with fast greens or carbazole violets—here, pigments must resist bleeding and migration in overlays. We catch these customer challenges, feed them back into process control, and push improvements through hands-on adjustments. Competitors sometimes chase market with cheaper reactants or lighter wash steps, but this only adds problems for users in graphic arts, where detail and color accuracy drive repeat work.
Lithol Mauve finds a broad home in offset ink, gravure ink, flexographic print, air-drying paints, and some masterbatch plastics. Offset printers use it for high-volume magazines and packaging inserts, where quick turnover leaves little room for downtime or color resets. The pigment’s flow during dispersion helps the operator achieve full color in less time, reducing mechanical load on equipment.
In gravure, the pigment brings sharp outlines and solid coverage at low film thickness. In textiles, Lithol Mauve provides a base for prints on cotton blends or non-woven bags, often after choosing the right binder-resin system. Plastics processors appreciate its stability in low-temperature molding; high-temperature polyolefin blends demand tough dispersants or the pigment will plate out or gray.
Safety and compliance matter on every line. Regulatory rules for printing pigments change frequently, and Lithol Mauve’s primary grades comply with major substance restrictions. Content of Ba, Cd, and other heavy metals tracks well below published limits for packaging and children’s items. The pigment’s chemistry falls within current EU and US safety parameters for inks, provided proper use in finished articles. We continually refine our process based on updates from global agencies, so our customers know what’s (and isn’t) present in the powder they receive.
Reliability starts with reliable raw materials and a trained team. We have found sourcing core diazo and coupling inputs close to production lines reduces risk and disruption—import bottlenecks or sudden tariff changes hit traders hardest. Our on-site teams get annual retraining, not just for lab work but practical shifts in mixing, filtration, and drying routines. Equipment upgrades pay back quickly when staff help guide line design and maintenance cycles—they catch trends and alert us sooner than any spreadsheet.
Manufacturing pigments faces pressure to cut emissions, reduce waste, and reuse water. In our plant, we recover sodium salts from spent liquors and push most cleaning rinse water back into the early stages of coupling baths—over 80 percent is reused, cutting municipal waste sharply. Process automation has helped cut raw input use per kg of output by over 12 percent in the last five years. Plant managers swap insights with regional industry councils to fine-tune each wash, filter and dry step.
Solvent-free and anti-dusting grades now rule our new investments. The classic process generated clouds of fine pigment dust, which risked staff safety and product loss. We reengineered granulation early, matching pigment batch size and binder type so fewer fines go airborne, and operators spend less time cleaning or masking equipment.
Our direct customers bring varied challenges: one printer calls about sharpness in highlight dots, another about batch-to-batch shade alignment across press runs. Changes in resin types or press temperature throw new curveballs into the mix. We respond by providing wet presscake, dry powder, or pre-dispersed pastes as needed—sometimes even adjusting final moisture to match a customer’s own disperser setup. Trouble cases—streaky coverage, fuzzed tones, weak undertones—often link to mishandled pigment intake, not always batch flaws. We spend a fair bit of time guiding customers on dispersion methods, solvent choice, and press speed for Lithol Mauve.
Issues sometimes root in unexpected places: a new binder system, an overzealous antioxidant, or failing filters on a customer’s line. Our role doesn’t stop at pigment delivery; we take feedback direct to the shop floor. Some improvements—longer premillage or pH micro-adjustments in the last coupling—come straight from customer complaints five years ago.
Non-manufacturers might not see where Lithol Mauve truly differs from synthetic analogues. Imported substitutes may look close in dry form but drift in shade, lose strength, or deposit unexpected residues under real process heat. We’ve traced pigment failures back to skipped washing or incorrect drying curves. Our plants test each batch with local printers and plastic shops before scaling output; that immediate feedback helps us catch issues traders might never see.
No pigment stands still as ecological priorities grow. We continue to adapt Lithol Mauve’s process to fit waterborne inks and low-VOC coatings—demand for safer, lower-impact print lines isn’t letting up. Every year, more converters and packaging houses ask about phthalate-free, heavy metal–free, or bio-derived options. Lithol Mauve’s chemistry plays well within these boundaries, with clear labeling for every lot.
Some industrial customers push for even tighter controls: no formaldehyde trace, no persistent organic pollutants, lower energy input per ton. Our research teams work alongside pigment handlers to test recycling options for process water, recover usable byproducts from salt cuts, and engineer drier crumbs for dust-free handling.
We don’t just move bulk pigment: our relationships with printers and compounders run year after year. User feedback—both complaints and praise—informs our process changes. In practice, a successful pigment isn’t the one with the flashiest lab grade; it’s the one that fits into multiple lines without drama, produces the same results for a textile print as it does for magazine cover ink, and arrives ready to run out of the bag or drum. This comes only from relentless tracking, hands-on adjustments, and trust between plant, laboratory, and printer.
Lithol Mauve serves as a benchmark pigment for anyone running large, mixed print operations or looking for a proven magenta-red that keeps production simple. Investments in process control, local resourcing, environmental steps, and user-driven design all feed into a pigment with real-world staying power. We stand behind it because every lot represents not just the chemistry, but the practical lessons earned from years of prompt batch corrections, troubleshooting, and collaboration with the people who print, coat, and manufacture every day.
Every investment in Lithol Mauve’s process came from solving problems, not chasing market slogans. We’ve tackled slurry handling to stop blockages, streamlined purification to cut trapped salts, and linked lab practices directly to full-scale production. This kind of grind isn’t visible from a sales listing, but end users feel it in less downtime and fewer rejects.
Looking ahead, our pigment teams review every suggestion from press rooms and molding shops. We can’t afford to ignore poor dispersion or rumors of off-shades, so we pull those findings right into pilot scale tweaks. That willingness to admit shortfalls and implement solutions defines the difference between manufacturing and mere product handling.
We make Lithol Mauve because printing, coating, and plastics manufacturers deserve pigments that meet today’s needs without introducing new complexity. We’ll keep driving process innovation, working directly with customers, and evolving the product as regulations shift and applications diversify. If a pigment can’t stay strong through these cycles, there’s little point putting it on the line.
Real quality comes from relentless monitoring, real-world knowledge, and personal accountability on every shift. That’s what keeps Lithol Mauve a mainstay for clients running demanding presses, chasing sustainable colors, and expecting pigments that don’t waver from order to order. We aim always for pigments that work as intended, batch after batch, ton after ton—because once you’ve made pigment at industrial scale, you don’t leave the results to chance.