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HS Code |
231249 |
| Product Name | Liquid Colour |
| Product Type | Colorant |
| Form | Liquid |
| Application | Industrial and artistic coloring |
| Base | Water or solvent-based |
| Viscosity | Low to medium |
| Color Range | Wide variety |
| Mixability | Highly miscible |
| Drying Time | Variable |
| Compatibility | Suitable with multiple substrates |
| Packaging | Bottles or containers |
| Shelf Life | 12-24 months |
| Storage Temperature | Room temperature |
| Toxicity | Non-toxic or low toxicity |
| Odor | Mild or odorless |
As an accredited Liquid Colour factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | The Liquid Colour chemical is packaged in a sturdy, 1-liter plastic bottle with a secure screw cap and clear labeling for easy identification. |
| Shipping | Liquid Colour is typically shipped in tightly sealed, clearly labeled containers—such as HDPE drums, IBC totes, or bottles—to prevent leaks or contamination. Packaging complies with safety and transport regulations, ensuring protection from moisture, sunlight, and extreme temperatures during transit. Appropriate hazard documentation accompanies each shipment, if applicable. |
| Storage | Liquid Colour should be stored in tightly sealed, clearly labeled containers made of compatible material, away from direct sunlight, heat sources, and ignition points. The storage area should be well-ventilated, cool, and dry to prevent degradation and contamination. Keep away from incompatible substances, and ensure access to appropriate spill containment and safety equipment. Always comply with local regulations and the chemical's safety data sheet (SDS). |
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Viscosity Grade: Liquid Colour with a viscosity grade of 800 cP is used in plastic extrusion processes, where it ensures homogeneous pigment dispersion and color consistency. Purity %: Liquid Colour with a purity of 98% is used in automotive coatings, where it delivers vibrant finishes and minimizes contamination. Stability Temperature: Liquid Colour with a stability temperature of 220°C is used in high-temperature polymer molding, where it maintains color integrity during processing. Particle Size: Liquid Colour with a particle size under 5 microns is used in digital inkjet printing, where it enables sharp image resolution and smooth print surfaces. Molecular Weight: Liquid Colour with a molecular weight of 1200 g/mol is used in epoxy resin casting, where it supports uniform curing and prevents phase separation. Melting Point: Liquid Colour with a melting point of 40°C is used in candle manufacturing, where it allows easy blending and results in consistent coloration. Lightfastness: Liquid Colour with lightfastness level 7 is used in outdoor signage applications, where it provides long-lasting resistance to fading from UV exposure. pH Value: Liquid Colour with a pH value of 7.5 is used in water-based textile dyeing, where it promotes strong fiber bonding and colorfastness. Solvent Compatibility: Liquid Colour with high solvent compatibility is used in industrial spray coatings, where it prevents pigment settling and clogging. Shelf Life: Liquid Colour with a shelf life of 24 months is used in flexographic printing, where it enables extended storage without degradation of color quality. |
Competitive Liquid Colour prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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For decades, we have stood beside factory lines, poured over batch sheets, and solved colour challenges alongside engineers and production teams. Our Liquid Colour range comes straight from these years on the floor—engineered, tested, and tweaked by people who know the aches of downtime and the satisfaction of getting things right. Model series LC-300 captures our latest steps forward, bringing broad compatibility and clarity of results for plastics, coatings, and synthetic fibre applications.
Most colourants in today’s industrial world fall short somewhere between theory and practice. Powder blends promise economy but produce clouds of mess and hard-to-clean hoppers. Universal masterbatches hit their limits in fast settings, or introduce unwanted heat or pigment bleed. We set our sights on a fluid that flows smoothly into extruders, dispersion mixers, and even gravimetric dosing systems—an answer built out of conversations with shop-floor techs as much as bench-scale tests.
Every manufacturer faces surprises: overnight weather shifts, feedstock variations, new customer shades. Stability and consistency are not marketing slogans for us; they decide whether the next shift pulls in overtime or heads home on time. LC-300 runs cool, resists settling under ambient shop conditions, and carries densely loaded pigment without thickening out or gelling up machines. We’ve logged years learning what happens when a dose sits in a tank corner, or feeds through meters during a slow morning start. The model’s blend of dispersants and stabilizers means pigment sits ready—not sludging or separating—waiting for line demand.
Bench chemists can chase ideal dispersions in a flask, but the floor tells the real story. Most of our two-thousand-odd formulation tweaks came off the back of real production feedback. The colours you see in LC-300 didn’t pass based on a single drawdown, but batch after batch through extrusion screws, injection barrels, and continuous mixers. Tinters, compounders and machine setters from plastics, textile, and film shops tested our work under genuine plant cycles. Their frustrations—from lines that plug to films that streak—shaped every adjustment.
Each unit of LC-300 arrives as a flowable liquid—never syrupy, never grainy—ready for pump, pour, or direct dosing. The plan was always ease: top-up dosing direct from tank, through metered pumps, or even hand additions during in-plant trials. Formulated at pigment loads between 35% and 65%, these products deliver high opacity and strong hide with modest addition rates. Most customers hit approved shades with addition levels between 0.2% and 2.5% of total batch weight, yielding deep colour with no chalky undertones or surface blooming.
Powder colours may work on the bench, but we have watched too many facilities eat value through spillage, airborne dust, and clean-up costs. Traditional masterbatches trade off higher temperature loads for dispersion: they run hot and can fry sensitive pigments. Our liquid holds its pigment on fine carriers and disperses with low shear input, even in low-melt or fast-cooled extrusions. Compared with dry blends, downtime for cleaning drops, and there’s no static charge slinging pigment across control panels.
Through direct feedback, we resolved the concern of “carrier oil bleed” common to older generations of liquid colour—no slick films, no warping on surfaces, and nothing leaching through packaging. Users have stopped chasing micro-leaks and sticky films in their processing areas compared with the days of lesser liquids.
There’s no patience on a plant floor for colour drift. We keep an eye on pigment milling, carrier composition, and additive performance for every single batch. We trust only raw materials that survive high-heat and storage stress; nothing goes forward without certification on lightfastness, thermal stability, and clarity. Customers receive liquid colour with lot data—and we store counter-samples for every production run, so repeated orders look, process, and tint the same week to week and truck to truck.
The struggle to swap colours quickly or clean machines efficiently led us to tune the formula toward low residue and easy purging. Purge rates on shutdown have dropped, so teams spend less time brushing out pigment ghosts and get lines back up without lengthy detergent cycles. Our liquid runs fine in most gear pumps, venturi feed tanks, and inline blenders without special line upgrades. It doesn’t gum up hoses or harden at the seals. Switching shades mid-batch has become cleaner, cutting down on scrapped material and product regrind.
Processors have pinched pennies on pigment dosing for years. Yet shorting colour almost always spells reject piles or costly rework. The high pigment load in our LC-300 liquid means a little goes a long way: users hit target shades without smearing surfaces with excess carrier, and finished goods come off the line with strong, consistent colour. Lower addition rates help keep processing costs down while preventing problems with migration or blooming.
We built LC-300 out of daily feedback, not theory. It meets processing climates from hot, humid tropics to cold, dry winters. No filler dust, no contamination of clean-room lines. The liquid has found a home everywhere from high-throughput extrusion of automotive compounds to short-run textile batch dyeing to fine-cast films for electronics and medical packaging. Every sector throws up a new barrier—different resins, ever-changing compliance needs, wild shade recipes. We stay active in customer plants, so tweaks never stop, and new regulatory surprises get handled up front, not as afterthoughts.
Product safety and compliance aren’t paperwork to us. All raw materials in LC-300 come from accredited sources, with data on migration, extractables, and allowable dietary contact. The finished colourants pass key EU and US testing requirements for heavy metals, food contact, and plastic packaging. We track new chemical lists and migrate out banned substances fast, so plant managers rest easy about audits.
After years on real floors, we have learned the issues that slow down production or muddy quality audits. Here’s what LC-300 brings to the bench and floor:
Several processors in pipe extrusion, blown film, and textiles shared their numbers with us. One reported a 22% drop in average line cleaning time after switching from old-style liquid colour and dry masterbatch systems. An injection molder running food packaging lines came forward after migrating to LC-300: their rejected lots for colour issues fell from several a month to fewer than two a year, and they tied it straight back to fewer surges in pigment flow and more stable dosing.
In technical plastics, a customer running a 24/7 schedule with LC-300 managed line changeovers every four hours with less than 5 minutes of extra downtime per shift, slashing their previous average by more than half. These changes saved hundreds of kilograms of regrind and gave the team more confidence to take on custom shades with rush lead times.
We welcome queries from manufacturers who have struggled through powder messes, puzzling out masterbatch compatibility, or repeated pigment separation in storage tanks. The feedback tells us where to go next with the line—whether a new specialty pigment, an oddball resin, or a brand-new regulatory hurdle.
Solid masterbatches often look great on paper, but energy to disperse them eats up production capacity. Dust from powders sneaks into filters, disrupts weighing, and fodders health complaints. Older style liquid colours from some players have struggled with blend separation, pigment settlement, or leaving slick, oily films throughout lines and finished goods. Our LC-300 uses low-migration carriers tuned for modern plastics—food packaging, high-clarity film, or opaque pipe—and delivers deep shades without ghosting or sticky films. Direct input from compounders and QC teams in the field keeps us moving so no user gets stuck with yesterday’s problems.
A key difference sits in our approach to problem solving. We partner with users through field visits and process trials, not just telephone tech support. Want to try low-density polyethylene today and a barrier PET next week? We turn feedback into adjustments, batch by batch—not just promises in sales calls.
Environmental waste haunts every production run. Powders pile up in bag-off waste; solid masterbatches need extra energy to grind and blend. Our system delivers colour without secondary waste streams—no airborne dust, no oversized packaging, and nowhere for fugitive pigment to hide. We build our liquid colour with solvent-free carriers and phase out any raw material flagged for environmental or health review. Pigments get scrutinized, and every component’s lifecycle is factored into our process.
One plant supervisor said switching to LC-300 paid for itself within the first month, just from cutting cleaning hours and rework rates. Others find they hold tighter tolerances on colour, scrap less during ramp-up, and hit customer specs on the very first batch. By dosing less per tonne for deeper colour and cleaning up in less time, line managers free up hours and save costs direct to the bottom line.
We show techs how to fine-tune delivery and monitor shade on their own, reducing calls for off-site support. This hands-on approach makes line owners and plant teams more confident in keeping colour right, leading to less downtime, fewer complaints, and proud operators who see the difference in every box or drum that rolls out the door.
A bottled sample tells you little about performance under your own roof. We understand processors run everything from new gear to repaired older lines. Our liquid holds up in both. Teams get direct support—no third-party stopgaps—with real answers to dosing, clean-out, purge, and scale-up. Trials run in plant settings, not lab tables. Line managers, compounding heads, and QA leaders have access to detailed usage guides, full back-up documentation, and fast feedback.
In unusual applications—high-barrier containers, food-contact layers, UV-resistant pipes—we join the process for colour matching, compliance, and troubleshooting. Our formulation team listens for the oddball cases and turns those puzzles into the next adjustment.
While other formulators throw competitive buzzwords around, we know there’s a difference between data-sheet specs and fast-changing plant demands. LC-300 draws its strength from scores of upgrades and fixes sparked by real customer frustrations: streaks in film, pigment agglomeration, ghosting, line shutdowns from pigment gelling. Each of these issues left its mark on the current blend—changes tested, verified, and retained only if they actually solved a customer’s problem.
Manufacturers with complex shade and resin needs don’t want promises, they want someone who shows up when a pigment throws shade off on a Monday morning. Our crew has spent the hours testing at customer plants so each tonne of LC-300 lands ready to go: no guesswork, no resets, just true colour at the production speed modern lines demand.
We hold ourselves accountable for every drop of liquid colour leaving our gates. Shade consistency and stable flow aren’t luxuries but guarantees tied to our name. As regulations, raw materials, and end-market needs evolve, we keep pushing for better pigment fastness, safer carriers, and even easier process control. Our customers push us for better performance, and we listen. We do not chase shiny trends or temporary fixes. Each improvement stands up in real manufacturing, under the same pressure and time constraints we know too well.
Buying colour from a manufacturer carries a promise that batch-to-batch, year-to-year, demand-shock or product-line pivot, the supply holds up both technically and logistically. We stay in close touch, treating every order as a partnership. Processors seeking to tackle a new resin, regulatory demand, or custom shade get access to our labs—or we come to the line itself to see the challenge live.
We treat technical process control as a craft, supported by years of making, not merely selling. You can trust new shades or urgent replacements won’t clog lines, confuse teams, or end in costly scrapping.
Liquid Colour LC-300 embodies years of plant-driven innovation, regulatory diligence, and honest manufacturing grit. It stands as both a reliable tool for those who mix, extrude, and shape, and a foundation for continued colour solutions built on partnership and shared progress. From the makers’ bench to your production floor—true colour, delivered with care.