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HS Code |
742350 |
| Product Name | Acid Yellow 42 |
| Cas Number | 12220-66-7 |
| C I Number | 22910 |
| Chemical Class | Azo dye |
| Molecular Formula | C18H14N6Na2O7S2 |
| Molecular Weight | 548.46 g/mol |
| Solubility | Soluble in water |
| Appearance | Yellow powder |
| Application | Textile dyeing, leather, paper |
| Light Fastness | Moderate |
| Ph Value | Approx. 4-6 (1% solution) |
| Ec No | 235-450-5 |
As an accredited Acid Yellow 42 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Yellow 42 is packaged in a 25 kg woven plastic bag, labeled with product name, batch number, and safety information. |
| Shipping | Acid Yellow 42 should be shipped in tightly sealed, properly labeled containers, protected from moisture and direct sunlight. Transport in compliance with relevant local and international regulations for chemicals. Ensure compatibility with other goods and avoid contact with strong oxidizing agents. Use appropriate protective measures to prevent leaks and spills during transit. |
| Storage | Acid Yellow 42 should be stored in a tightly closed container, in a cool, dry, and well-ventilated area away from incompatible substances such as strong oxidizers. Protect it from moisture, heat, and direct sunlight. Ensure proper labeling and keep the storage area clean to avoid contamination. Use secondary containment to prevent spills and follow all relevant safety and regulatory guidelines. |
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Purity 98%: Acid Yellow 42 with purity 98% is used in textile dyeing, where it provides vibrant and uniform coloration to synthetic fibers. Molecular Weight 477.38 g/mol: Acid Yellow 42 of molecular weight 477.38 g/mol is employed in leather finishing, where it ensures consistent penetration and color fastness. Particle Size D50 <10 μm: Acid Yellow 42 with particle size D50 below 10 μm is used in inkjet ink formulations, where it enhances print clarity and dispersion stability. Aqueous Solubility >80 g/L: Acid Yellow 42 with aqueous solubility greater than 80 g/L is utilized in paper coating applications, where it delivers rapid dissolution and intense shade development. Light Fastness Grade 5: Acid Yellow 42 with light fastness grade 5 is used in automotive interior textiles, where it increases resistance to fading from UV exposure. pH Stability Range 2–7: Acid Yellow 42 with pH stability range 2–7 is applied in food packaging inks, where it maintains chromatic integrity across variable pH conditions. Heat Stability up to 180°C: Acid Yellow 42 with heat stability up to 180°C is utilized in plastic masterbatch production, where it prevents degradation and color shift during thermal processing. |
Competitive Acid Yellow 42 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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Acid Yellow 42 has held a central spot in our dye production for years, growing out of constant feedback from textile finishers looking for clarity and consistency in their yellow hues. We’ve adjusted our process every step of the way—from reaction pH and temperature windows to post-synthesis cleanups—reaching a point where every drum from our line pours out nearly identical product, batch after batch. Not all yellow dyes behave the same in acidic media or on wool fibers, and not every manufacturer sticks with the same rigorous final purification. That’s where we see the biggest difference: the absence of tail hues and unexpected tints that appear in lower-quality Acid Yellow 42 supplies. Our team has answered calls from mill technicians stuck with mustard-shaded streaks after using questionable imports, and more than once we’ve walked them through a fix—usually switching to our own powder the next lot—and the problem stops.
What stands out about Acid Yellow 42 isn’t just the golden shade, it’s how easily it blends into solution, how repeatable it proves from order to order, and its robust fastness scores under real-world wash conditions. Most manufacturers of Acid Yellow dyes use a similar diazo-coupling chemistry, but the subtleties in handling the coupling stage and crystallization can greatly change how little impurities tag along. Once, a customer sent us samples of a competing product for lab testing after their own QC caught intermittent greenish-brown spots in finished carpet. We ran a side-by-side on our spectrophotometer and the answer popped up in the trace peak on the UV-Vis scan. It was a classic case of incomplete reaction, likely from rushing the coupling or pulling product too soon.
Our standard model for Acid Yellow 42, labeled internally as Product 42A, comes in both fine powder and granular forms. Granulars help customers who need flowable feedstocks, while powder can offer finer dispersion in the right mixers. For solution dyeing, powder wins, especially in continuous yarn runs. Customers running larger lots in dyehouses often note the wetting time is shorter and more even when they switch from granular to fine powder, assuming the stirrers keep dust down. We learned that dusty yellow clouds in the mixing room are more than just an annoyance—they indicate fines escaping, which can alter shade if not properly handled. So, we refined our powder’s particle size: tight enough that dusting is contained, loose enough to dissolve quickly.
Textiles present the broadest market for Acid Yellow 42, especially wool, nylon, and silk. The dye’s affinity for amide-containing fibers means mills count on it for union dyeing when they need single-bath application for blends. Curtain fabricators have told us our Acid Yellow 42 consistently gives the brightness they want in longer goods, especially when run at pH levels between 4.5 and 5.5. We’ve seen more technical textiles picking up Acid Yellow 42 for filtration felt and specialized nonwoven applications, as the dye proves stable to light exposure when post-treated with the right UV-absorbers.
Leather finishing stands as another major use. While not as dominant in the natural hides market as with textile synthetics, Acid Yellow 42 produces uniform coloration without migration or creeping once properly fixed. Leather technologists sometimes mention that substitute yellow dyes can bleed or shift under leather fatliquors or repeated flexing. Our blend, following feedback from tanneries, receives an extended wash-out phase in our process, ensuring fewer residual salts that might later appear on finished goods after storage.
In digital printing, newer partners have pushed the limits of Acid Yellow 42 in ink formulations. Their primary need is for a dye that resists clogging print heads and won’t settle or aggregate over time in the ink reservoir. We monitor our particle distribution with laser diffraction, keeping the range tight to guarantee minimal settling for these users. One ink formulator recently returned with feedback after a six-month stability test: no viscosity spikes, no unexpected sediment, and same visual hue after the ink sat on the shelf. It’s those kinds of real-world confirmations that tell us our work refining the crystalline form makes a difference.
It’s easy to assume all Acid Yellow 42 is the same. In practice, we see big variation in solubility curves, light fastness, and, especially, resistance to acid hydrolysis, depending on the source. Cheaper versions typically ride the lower end of purity specs; they can contain a mix of isomers, trace by-products, or simply a higher salt content. Yarn dyers often call out the flocculation issue—clouds in the bath that cling to skeins or fail to rinse out completely. We put work into each batch to ensure the counter-ions are fully exchanged and that salt contamination never tops industry norms.
In the past year, we received reports of competitive Acid Yellow 42 that met basic shade tests but performed poorly on repeat dyeings, especially in fast-fashion textile lines. Shade drift over time came from sacrificial colorants mixed in as cost-saving fillers. Our lab followed orders with more rigorous thin-layer chromatography than in previous years. The difference became clear: a tighter product means no extra background noise in finished shades. Brands using our material told us their customer complaints on color variation dropped off within three production cycles.
Great Acid Yellow 42 doesn’t happen by accident. We’ve used the same group of raw material suppliers—amines, aromatics, and coupling agents—since the late 1990s. Every delivery brings a fresh round of incoming QC, including not only titrations but full organic analysis for amine content, which helps us eliminate the batch-to-batch drift that smaller operators encounter. Our plant operators understand how an off-spec batch of raw amines impacts final hue, so we train every new staffer to read these QC flags.
We’ve watched competitors try to chase raw material price savings by moving to unknown sources, only to get caught when the color starts wandering or UV-fastness measures dip. Time after time, the short-term savings are wiped out by long-term warranty claims and rework out in the mills or print rooms. We’d rather spend the extra on raw inputs if it means shipments go out without recalls or complaint tickets.
We don’t work in a vacuum. Anyone who’s managed a dye shed knows yellow powder can stain glove seams and lint roll traps, and cleanup is easier said than done. Our shift supervisors check that containment and powder-fill gear works as expected, limiting dust, and we supply MSDS information with every shipment. Next to performance, we want handlers confident that our product won’t add extra headaches to their safety routines. We have continuous training on best practices for powder handling since acid dyes demand respect for skin and eye splash. Happier workers stay loyal—so we support our warehouse and shipping teams with the best tools we can provide.
The dye world is different today from even ten years ago. Buyers and regulators now push hard for information on wastewater, effluent load, and bioaccumulation. We run our own post-dye bath tests and share dilution curves and COD data, so customers can see how Acid Yellow 42 behaves in their effluent circuits. We also maintain transparency on trace impurity levels and offer documentation for brand compliance with REACH and other regulatory frameworks. Many upcycled and eco-processed textile brands reach out specifically because they want data on decomposition and aquatic safety, and we’re open with results instead of hiding behind vague claims.
We’re also committed to continued reduction in sodium and sulfate loads in downstream processing. This isn’t easy and means tighter controls at multiple points. Chemically, the aminoaryl backbone of Acid Yellow 42 means a risk for sulfonate ion carryover after synthesis. We invested in new post-synthesis filters and extended rinse steps to drop these levels, supporting both mill recycling and compliance with stricter international wastewater standards.
Over the years, some trends keep repeating—especially mills struggling with inconsistent results from off-contract sources, or buyers bewildered by paperwork that doesn’t match the real product. One forgotten order of “Acid Yellow 42” turned out to be a blend with a less expensive yellow acid dye, confirmed by both TLC and mass spec. Shade was unpredictable, and cleaning up that mess took more than one production week. That’s a classic case where having a steady supplier with solid traceability wins out. We keep digital and hard-copy batch records for every lot, which means fast traceback and corrective action if a rare issue does appear.
Makers of sports fabrics and technical wearables tell us that Acid Yellow 42 lays down a rich, even shade with none of the washout they used to see with early formulations. Sportswear needs repeat washing and heavy light exposure. Brands call for higher color fastness than commodity products. Our fastness ratings continue to meet or exceed industry benchmarks—data we share directly in test reports, supporting claims with the numbers. It’s not about slogans, but facts.
A growing focus on on-demand printing and digital-dye textile markets asks for dyes that don’t clog machines or leave residue inside tubes and nozzles. So, we keep our process controls tight and monitor for silica or other dust-forming residues that could accumulate in equipment. We routinely run simulated use tests before large-scale deliveries to new digital print customers, guaranteeing performance instead of just hoping for the best.
Behind every lot of Acid Yellow 42 leaving our doors, there’s a real person testing samples in our lab. Pre-shipment, every production batch gets weighed multiple times and run through accelerated aging—heat, humidity, and open-air exposures—in real sample pots. Our technical team looks for hue drift, solubility issues, and color intensity loss. If a batch starts heading south, it gets quarantined and reworked or scrapped.
End users report subtle—but important—differences when they move from one Acid Yellow 42 source to ours. Lower-ash content, absence of secondary colors, and no undissolved sediment at recommended make-up rates. Our QC chemists spend hours each week not just running technical checks but talking with finishers and print room specialists who field complaints and questions every day. We believe in this person-to-person dialogue, because lab statistics only mean so much until the dye is running in a customer’s machinery.
Brand owners track every incident of shade drift and every re-dye. We see the bigger picture: one dye-lot misstep can cost weeks and pile up lost output. Our customers operating through global textile supply chains depend on the reliability that Acid Yellow 42 delivers. Their trust builds our reputation more reliably than promotional material ever could.
Mistakes in the dye world don’t hide for long. We’ve seen what happens when manufacturers cut corners—unexpected shades, patchy coverage, poor resistance under real washing and wear. Root causes often link back to inconsistent raw materials, undefined syntheses, or rushed QC. We’ve invested in each bottleneck over the years, and our customer base tells us the difference is clear.
We hear requests for bright, light-resistant yellow that performs in both traditional and new applications—everything from high-intensity athletics apparel to sustainable packaging. Our R&D team experiments with co-formulations and protective treatments as new application areas emerge. Some large-scale printing lines now operate year-round on our Acid Yellow 42, thanks to its performance in closed-loop dyeing cycles. This means we aim for no surprises and no wasteful overcompensation with extra pigment or secondary dyes.
We’re also working with groups researching bio-based dye alternatives, benchmarking Acid Yellow 42 alongside newcomers to keep standards transparent. These partnerships don’t always create instant new products, but the knowledge we share goes back into our process, refining stability and lowering unwanted by-products.
Every new idea from a customer helps us refine Acid Yellow 42. Whether solving on-line runnability for a print facility, fixing a shade accuracy concern for a fashion house, or making the product easier for staff to handle, we listen. This approach pays off in both customer satisfaction and lower complaint rates.
As regulations tighten and new product applications emerge, we refine our systems accordingly. End-user experience drives every tweak to our process. Reliable, clear, and strong yellow shades don’t come from chance—they grow from constant practice, attention to customer stories, and a refusal to accept anything less than our best.
Acid Yellow 42 stands as both a staple and a showcase for what a committed manufacturer delivers: purity, consistency, and transparency. Textile mills, printers, leather finishers, and new tech markets keep telling us the same thing—the limits of Acid Yellow 42 aren’t set by the dye, but by the care and expertise poured into every batch. We plan on keeping that standard, and we welcome the chance to solve the next set of challenges together.