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HS Code |
826566 |
| Cas Number | 16956-29-1 |
| Ec Number | 240-012-8 |
| Molecular Formula | C22H17N3Na2O9S2 |
| Molar Mass | 581.49 g/mol |
| Appearance | Purple powder |
| Solubility In Water | Soluble |
| Dye Class | Azo dye |
| Usage | Hair dye, cosmetic colorant |
| Color Index Number | 60730 |
| Ph Range | 5.0 - 7.0 |
| Maximum Absorption Wavelength | 546 nm |
As an accredited Acid Violet 49 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | The packaging for Acid Violet 49 is a 25 kg blue HDPE drum, featuring a sealed lid and printed safety labeling. |
| Shipping | Acid Violet 49 should be shipped in tightly sealed containers, away from incompatible substances and moisture. It must be labeled appropriately as per hazard regulations. Store and transport in a cool, well-ventilated area. Ensure compliance with national and international transport regulations, including appropriate documentation and safety measures to prevent spillage or environmental contamination. |
| Storage | **Acid Violet 49** should be stored in a cool, dry, well-ventilated area away from direct sunlight and incompatible substances such as strong oxidizing agents. Keep the container tightly closed and properly labeled. Avoid moisture and sources of ignition. Use corrosion-resistant containers and ensure secondary containment to prevent spills. Follow all relevant safety guidelines, including personal protective equipment during handling. |
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Purity 98%: Acid Violet 49 with 98% purity is used in textile dyeing processes, where it ensures uniform color penetration and high fastness levels. Molecular Weight 537.04 g/mol: Acid Violet 49 of 537.04 g/mol molecular weight is used in wool dyeing applications, where it delivers intense color saturation and superior dye uptake. Lightfastness Grade 6: Acid Violet 49 with lightfastness grade 6 is used in silk coloration, where it maintains long-term vibrancy under exposure to light. pH Stability Range 3-5: Acid Violet 49 with pH stability range 3-5 is used in leather finishing baths, where it provides consistent shade development in mildly acidic environments. Particle Size <10 μm: Acid Violet 49 with particle size below 10 μm is used in inkjet ink formulation, where it enhances smooth dispersion and print resolution. Melting Point 285°C: Acid Violet 49 with a melting point of 285°C is used in high-temperature dyeing processes, where it resists thermal degradation. Water Solubility 20 g/L at 20°C: Acid Violet 49 with water solubility of 20 g/L at 20°C is used in paper dyeing, where it enables quick and homogeneous incorporation. Viscosity 15 cP: Acid Violet 49 at 15 cP viscosity is used in liquid dye concentrates for detergents, where it provides easy handling and accurate dosing. Stability Temperature up to 120°C: Acid Violet 49 stable up to 120°C is used in industrial ink production, where it preserves color strength during prolonged processing. Heat Resistance 100 hours at 100°C: Acid Violet 49 with heat resistance of 100 hours at 100°C is used in plastic coloration, where it maintains color integrity under thermal stress. |
Competitive Acid Violet 49 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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Having produced Acid Violet 49 in our own reactors for more than a decade, we see this dye through a different lens than any distributor or broker could. The process starts with careful weighing of raw materials. The right balance of alpha-naphthol, aniline, sulfuric acid, and sodium nitrite guides the complex diazotization and coupling steps, producing a sulfonated anthraquinone dye with deep, rich violet tones. Decades of observation confirm no two batches turn out identical without discipline and process knowhow. Variations, even in chilling water or mixing speed, change tone and solubility, which matters a lot once this product reaches its end customer.
Our main commercial grade runs between 200% and 250% strength by standard practice, supplied in either fine powder or spray-dried granules. Particle size distribution matters for every formulator; a finer powder disperses quicker in large dye baths, but granules suppress dust, help with automatic dosing, and give less mess. We tailor batch filtration and milling based on feedback from large-scale textile houses and small specialty dyers alike.
Acid Violet 49 does its best work on wool and polyamide fibers. The anthraquinone framework, enhanced by sulfonic acid groups, binds tightly with protein and polyamide amide bonds, leading to color fastness that matches the industry’s highest expectations. Over many batches, lab washes and field returns show this dye keeps vibrance even after repeated hot water treatment. In addition to fabric dyeing, Acid Violet 49 finds steady use in inks, cosmetic formulations, and occasionally for coloring leather and paper where solubility and purity requirements demand consistent performance.
Meeting requirements for application extends further than what the market expects on a spec sheet. Customers in textile printing appreciate shade reproducibility—the consequences of shade drift play out all the way to the end customer’s retail rack. For this reason, each production run gets tested not just for dye content, but also tone and behavior in standardized dye baths (pH, hardness, temperature consistency, and more). Subtle changes in the process reflect immediately in the behavior of the dye at a production scale; as manufacturer, we’ve chased the cause of “off blues” or “muddy purples” back to reactor temperature deviations of less than 2°C. Formulators who value reliable, high chroma color response stick with Acid Violet 49 precisely because we do not cut corners on these controls.
Our best customers share stories of Acid Violet 49’s wash, light, and perspiration fastness on wool blends in commercial laundries. Consistent purity—not just high strength—drives their repeat orders. When other suppliers offer ‘cheaper’ grades, the reality hits during quality tests: off-shades, inconsistent repeatability, even interference with binder systems in ink applications. We’ve seen how low residue and high dye content give the edge in both mass throughput and small-lot work, especially in heat-intensive finishing. Live plant feedback allows us to tweak every production detail, from pH stabilization to final drying temperature, closing the loop between bench and real-world application.
Color performance isn’t just a matter of meeting laboratory specs. In repeated production, even half a percentage point in metal ion contamination or trace organic residues has triggered complaints from critical customers, such as luxury woolen brands or specialized cosmetics formulating houses. For them, we maintain additional purification and see the payoff in their continued trust. The way Acid Violet 49 interacts with auxiliary chemicals—leveling agents, retarders, wetting agents—comes from countless dyehouse trials and corrections. Proper blending and adjusting of these auxiliaries let the dye level smoothly, preventing barre, streaking, or color variation on large pieces of cloth rising out of the dye bath.
Each order we fill, from multi-ton tanker loads to 25 kg fiber drums, carries a guarantee that we have checked for content, tone, and insoluble matter. Years of trial and feedback led us to our current preferred specifications: moisture less than 2%, water-insolubles under 0.2%, by gravimetric testing. With every shipment, plant managers and dyemasters know exactly what they’re adding to the kettle.
Many ask how Acid Violet 49 stacks up against metal-complex or even simple azo dyes. Its sulfonic acid groups on the anthraquinone backbone bring advantages that go beyond basic color depth. We see fewer issues with metal contamination and less tendency for migration on fiber after dyeing versus some simpler structures. Experienced dyemasters know the enormous difference this makes during production scaling. For very fine yarns or large-area batch jobs, migration resistance can eliminate hours in reworking faulty product.
The manufacturing route of Acid Violet 49 does not require heavy-metal salt mordants to achieve good exhaustion and fixation, reducing downstream effluent treatment loads. Facing tighter government scrutiny on wastewater, buyers increasingly shift toward dyes like Acid Violet 49 to avoid both compliance headaches and costly treatment upgrades. As the people who stand behind each process batch, we’re glad to see this shift echo our efforts toward cleaner manufacture. Our process team keeps updated with compliance changes, making sure our routes and purification steps anticipate new environmental or regulatory demands.
The violet and purple area of the acid dye spectrum is crowded with contenders, yet Acid Violet 49 stands apart due to its unique color shade and application performance. Compared to Acid Violet 17 or Acid Violet 54, which may display a redder or bluer undertone, Acid Violet 49 achieves a deep tone with balanced chroma, favored by textile brands demanding color harmony across product lines. In real mill tests, Acid Violet 49 exhibits levelness and strike rates that put it ahead of many competitors. Customers have come to us after issues with other dyes' uneven buildup, especially with thick or blended fibers.
Cheaper alternatives often rely on extended cutbacks with salts or carry higher insoluble content, cutting costs but harming shade reproducibility and ease of use. Distributors may substitute off-shade or blended dyes into the market at tempting prices, yet these variations rarely remain unnoticed in the actual dyehouse. We’ve fielded more than one emergency call from plants disappointed by unpredictable performance or increased cleaning time caused by other “equivalent” products. The difference starts on our factory line with process discipline, verified inputs, and close batch monitoring, and it finishes with happy customers who don’t have to stop production to fix an avoidable problem.
Dye production is neither quick nor simple, regardless of what resellers might say. We continue to refine our process, with every shift operator and chemist bringing new observations back to the plant floor. Modern automation has helped, but good dye comes as much from trained judgment as from pH controllers and flow meters. Recognizing a batch veering off specification early makes all the difference—color control starts before the dye leaves the filter press, not just at the QC bench.
Markets in Europe or North America continue to tighten import standards, pay attention to heavy-metal thresholds, and prohibit certain byproducts or stabilizers. Manufacturing Acid Violet 49 in line with these expectations isn’t a paperwork exercise; it requires foresight, documentation, lot traceability, and sometimes real investment in plant upgrades. We undertake routine analyses for trace contaminants—aromatic amines, heavy metals, and residuals—because skipping these steps risks reputation and customer lines lost forever.
We encourage prospects to share the specifics of their process. Every plant, whether dyeing bulk wool carpets or developing new fashion collections, works with different auxiliaries and protocols. Over the years, the best improvements in product performance have come straight from these open discussions and feedback on trouble spots. Our technical service team, most of whom have lab or plant backgrounds, maintain direct ties to the production floor, not a call center or generic support pool. This means plant managers get answers from people who’ve actually worked the reactors, understand real-world problems, and can advise on tweaks or modifications when the unexpected occurs.
Pressures aren’t only technical. Today’s dye buyers care about recycled water, closed-loop systems, and minimizing hazardous chemical releases. As the makers, we rebuilt our installations to lower energy use in spray drying, improved water treatment to minimize discharge, and work to reduce sodium sulfate byproducts. This comes from years of collaborating not just with customers, but with regional environmental authorities and NGOs monitoring the rivers and streams into which waste ultimately falls.
Many customers in developed markets require a full dossier on chemical makeup, batch traceability, and audit trails showing compliance with REACH, ZDHC, and even more stringent standards. This pushes us to invest in process refinement, better solvent recovery, and new sand filtration lines to keep contaminants out. We do not shy away from reformulating synthesis steps or adjusting cost structures to meet those standards—long-term partnerships matter more than short-term sales spikes.
Customer audits are not rare for us. Plant visitors often walk through the dyehouses, check on cleaning procedures, and review stocks of raw materials. To stay ahead, we continue to write stricter operating procedures, keep meticulous logs, and share quality data openly. Years of experience teach that transparency means smoother business and repeat orders. Even when a shipment heads to a small startup or boutique dyehouse, the batch sheet gets the same careful checks as a whole-container export.
Troubleshooting in the field starts with understanding the process from molecule to machine. Batch-to-batch strength variation causes the most common headaches in modern textile mills. Rather than just tighten balance controls, our approach cross-checks stock solutions, calibration standards, and the filtration process. We run scale-up trials on new blends and flag potential issues before the customer even opens the drum.
Customers mixing Acid Violet 49 with other dyes sometimes get unpredictable results. Years of testing and feedback showed the importance of pH control not only during dyeing, but when preparing and storing concentrated dye solutions in the plant—drift in pH means trouble with strike rate and shade. We recommend targeted acid buffers and guide customers through best-practices for mixing so they don’t face surprises on production scale. For rare solubility hiccups, we developed a fine wet-granulation technique that helps the dye dissolve faster, reducing lost time in the plant.
Responding to requests for cleaner finishing and lower effluent, we dialed back certain additives, shifted to higher-purity filtration, and now offer selected lots with certified minimal impurity content. Solving a customer’s buildup or residue problem might require tweaks at our end, not just advice for the plant operator, and that change sometimes means slowing production to achieve a tighter spec. Still, practical experience shows this pays off in customer confidence and lower complaint rates.
End users expect full compliance documentation, not marketing claims. We keep comprehensive batch records—dye content, strength, moisture, solubility, residue, along with any special customer requirements—and update technical data sheets with every process innovation. Technical sales staff close the loop by sharing uncommon plant problems with the factory so we adapt, not just repeat a standard narrative.
Demand for Acid Violet 49 shows no signs of slowing. New textile finishes, demands for deeper and more stable colors, and regulatory hurdles mean only manufacturers who invest in process and quality can keep up. Rising costs for raw materials bring pressure everywhere along the supply chain. Our response returns to basics: verify every material, track every batch, and keep lines of communication open with the people using the dye in their own mills. We focus on what makes Acid Violet 49 actually work better in the plant, day in and day out. Each feedback call, production trial, or audit keeps us moving forward and maintaining the high standards our customers expect.