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HS Code |
799780 |
| Chemical Name | Acid Red 13 |
| Synonyms | C.I. Acid Red 13, Brilliant Crocein MOO, Crocein Scarlet MOO |
| Cas Number | 3734-67-6 |
| Molecular Formula | C20H14N2Na2O7S2 |
| Molar Mass | 504.44 g/mol |
| Appearance | Red powder |
| Solubility | Soluble in water |
| Dye Class | Azo dye |
| Color Index Number | 14720 |
| Melting Point | Decomposes |
| Application | Textile and paper dyeing |
| Maximum Absorption Wavelength | 518 nm |
As an accredited Acid Red 13 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Red 13 is packaged in a sealed, amber glass bottle containing 100 grams, labeled with hazard symbols and handling instructions. |
| Shipping | Acid Red 13 should be shipped in tightly sealed containers, away from moisture and incompatible substances. Transport in accordance with local, national, and international regulations for hazardous chemicals. Label containers clearly and ensure proper documentation. Handle with care to avoid spills or exposure, and store in a cool, dry environment during transit. |
| Storage | Acid Red 13 should be stored in a tightly sealed container in a cool, dry, well-ventilated area away from incompatible substances such as strong oxidizing agents. Protect it from moisture, heat, and direct sunlight. Clearly label containers and keep them away from food and drink. Follow all local regulations and safety guidelines when handling and storing this chemical dye. |
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Purity 98%: Acid Red 13 with 98% purity is used in textile dyeing processes, where it ensures vivid and uniform coloration on synthetic fibers. Molecular Weight 387.38 g/mol: Acid Red 13 of molecular weight 387.38 g/mol is used in ink formulation, where it enables consistent pigment dispersion and print quality. Dye Strength 120%: Acid Red 13 with dye strength of 120% is used in paper coloring, where it achieves high color intensity and saturation. Particle Size <5 μm: Acid Red 13 with particle size below 5 μm is used in cosmetic manufacturing, where it delivers smooth texture and enhanced color stability. pH Stability 3–7: Acid Red 13 stable between pH 3–7 is used in water-based paint systems, where it provides reliable color retention in variable pH environments. Solubility 50 g/L (Water, 25°C): Acid Red 13 with solubility of 50 g/L at 25°C is used in aqueous dye baths, where it enables rapid and complete dissolution for efficient processing. Light Fastness Grade 5: Acid Red 13 with light fastness grade 5 is used in leather finishing, where it maintains color brilliance under prolonged light exposure. Melting Point 215°C: Acid Red 13 with a melting point of 215°C is used in plastic coloring, where it prevents dye degradation during high-temperature processing. |
Competitive Acid Red 13 prices that fit your budget—flexible terms and customized quotes for every order.
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Acid Red 13, also identified as Ponceau 6R, brings a deep, vivid red tone to a broad range of fiber, leather, and paper processes. In pigment chemistry, color development and stability matter more than fancy names or marketing claims. Our production plant has worked with Acid Red 13 across hundreds of batches, observing subtle differences in tone and performance depending on the synthesis route, intermediates, and purification standards. Years of process optimization led us to focus on the 100% pure powder, which consistently gives a strong red solution in water and a bright, stable outcome on finished goods.
Daily, workers in our facilities watch the pigment transition from raw diazo component to finished dye, monitoring hue and clarity. Grain size, moisture content, and pH profiles depend on the attention poured into each production stage, so we emphasize hands-on control. In producing Acid Red 13, small changes in filtration or neutralization can make a visible difference in how it disperses or binds to substrates. We keep detailed quality logs to track batch consistency. Decades of working with fiber-reactive acids have taught us that shortcuts lead to fading, dull tones, or poor depth on wool or silk. Customers tell us this product stands out not just because of color intensity, but because the dye liquor exhausts efficiently, leaving minimal waste and clean effluent.
Acid Red 13 stands as a monosulfonated azo dye, produced to technical grade for the textile and paper sector. We’ve tested the product on natural and regenerated fibers, including wool, silk, polyamide, and viscose. From our experience, the dye delivers a solid red shade on wool, with clear penetration and minimal washing off. On silk, it retains brightness and avoids over-saturation, a feature that comes from strict monitoring of particle size and solubility during our milling process. Some customers have struggled with color migration or mottling from poorly stabilized competitor dyes; our approach includes additional filtration steps, giving a cleaner product that settles more accurately on the fiber without backstaining.
On paper, the dye can be blended into pulp or applied by surface sizing. The vividness depends on the application pH and pulp type. Acid Red 13 shows strong affinity to the cellulose matrix in both wood-free and mechanical pulp. We noticed that older processes, which skip precise control of pH in the dye bath, tend to give uneven color—and we address this by supporting customers on-site with application notes based on lab results from our own batches.
We’ve dealt with shipment in various forms, but our most popular model remains the fine powder, with a moisture content below 2% and minimal dusting thanks to controlled grinding and packaging. Several years ago, we introduced vacuum-sealed bags for shipping to tropical regions, after noticing that humidity led to caking and reduced flow. This extra detail keeps our users from headaches during dosing, while reducing the risk of lumps that might clog machinery.
It’s common to confuse Acid Red 13 with other acid reds—Acid Red 1, Acid Red 18, for example—but these products behave differently under actual mill conditions. Acid Red 1 produces a brighter, more orange shade and struggles to anchor in high-temperature wool baths. Acid Red 18, though similar in basic chemical structure, yields a more bluish hue and tends to wash off at lower temperatures, especially on blended substrates. Our feedback from textile technicians confirms that Acid Red 13 stays put on wool and nylon, even in fast, short-cycle dyeing machines.
Some dye houses have switched to Acid Red 13 after battling with stains on polyamide or uneven color on silk from alternative reds. They found reliable tone, minimal color bleeding, and rapid exhaustion with our Acid Red 13, something that matters when time and water quality are unpredictable. Beyond textiles, paper makers tell us that Acid Red 13 delivers a clear, uniform red for tissue, writing papers, and filter media. The dye’s resistance to fading under indoor light meets most industry benchmarks, though we always encourage users to test shade and lightfastness with their own materials and process water, as local factors like acidity and calcium can impact behavior.
Textile processors often want saturation and clarity—nothing brings more complaints than a dull finish or uneven uptake. Customers using wool felt report that Acid Red 13 reaches depth quickly, shortening batch times and enabling reuse of liquors. On silk scarves, artisans note that the dye yields a clear cherry red without muddiness, even after steaming or water wash-off. For those dyeing nylon hosiery, Acid Red 13 performs well between pH 2.5 and 3.5, and remains consistent even in hard water. This reliability helps maintain schedule and reduces post-dye corrections.
Paper makers value fastness as much as brightness. The dye performs well in mechanical and wood-free pulp slurries under mild acid conditions. We've had clients in the decor paper sector who praise the uniformity from reel to reel. Adjusting retention aids and wet-end chemistry further tunes performance, but the dye’s high solubility prevents spotty coloration in most blends. Some packaging producers struggled with deposits from lower-quality acid dyes, especially in closed-loop systems. Our higher purity Acid Red 13 has reduced their cleaning routine for tanks and pumps, saving water and reducing maintenance interruptions.
The leather finishing industry uses Acid Red 13 for grain dyeing, targeting an even vanilla red that's free from purple or blue cast. Attention to detail in milling helps here: Coarse particles or residual salts can cause streaking or dullness, especially on chrome-tanned hides. We provide close particle size monitoring and a narrow filter cut to reduce this risk. Regular feedback from tanneries enables us to keep quality tight over the years.
Safe handling matters on the shop floor. Our dye arrives as a fine, well-sealed powder, which pours smoothly and dissolves in hot or cold water. We use reinforced, sealed liners inside our bags and drums, based on feedback from users tired of tearing and leftover dust. Offering smaller pack sizes limits waste and exposure for facilities with limited storage. Routine monitoring for heavy metals and persistent organics supports customer compliance with restricted substance practices, a request that's grown over the last decade.
We continue to review our process routes, aiming for maximum yield and minimum byproducts. New filtration belts and spent acid recovery lines help us keep coolant water and steam consumption down, improving both the efficiency and sustainability of our manufacturing. Our wastewater streams are treated to minimize color and salt before discharge, which reduces environmental loading. Some local regulators require annual reporting on colorant discharge, and we meet these requirements with thorough documentation and transparent audits.
Resource efficiency matters most to processors watching utility costs and discharge fees. Acid Red 13 leaves a nearly spent bath under optimized conditions—meaning less rinse water, lower load on effluent treatment, and savings on auxiliary chemicals. Our technical team helps customers fine-tune bath pH, liquor ratio, and timing based on in-plant tests and real use. Adjustments can cut cost and improve both dye depth and fix rate, something that shows up as fewer reworks and improved product yield.
Picking the right dye isn’t just about shades—it involves ecology, compatibility, costs, and downstream requirements. Some acids can trigger allergic reactions or fail local restrictions on aromatic amines; we supply full analytical disclosures based on regular in-house and third-party lab testing. We found that compared to some similar dyes developed decades ago, Acid Red 13 contains negligible banned compounds, making it a safer option for clothing, skin-contact materials, and disposable products. This detail proves important in global trade, especially for exporters meeting tough EU and US standards.
Adding color consistently in water with high levels of calcium or magnesium takes more work. Hard water sometimes produces spots or filming with older grades of dye. Our engineers have reworked the synthesis steps to minimize the formation of insoluble salts, meaning a stable solution that performs in real-world plant water. Routine monitoring of heavy metals and potential impurities avoids unwanted surprises for compliance and product safety audits down the line.
Some dye users want acid reds for complex blends and specialty tones. Acid Red 13 mixes easily with Acid Yellow 49, Acid Blue 9, and other compatible acid colorants, supporting custom palettes for the textile and decor sector. Our staff often works directly with customer mill labs, exchanging test panels and recipe tweaks until their team reaches the right shade, migration resistance, or end-use compliance. This partnership approach cuts guesswork and minimizes waste from trial-and-error.
On-loading and dispensing accuracy improves yield and color batch-to-batch. We train warehouse staff on the right way to scoop, pour, and blend the powder, while suggesting anti-static liners where static charging or dry air conditions might cause bridging in hoppers. Production managers want not only strong reds, but also clean equipment; our product’s high solubility and filtered form cut down mixing times and rinse cycles. Regular feedback sessions spark improvements in packaging and batch reporting to better match customer needs.
Close cooperation often continues after shipment. Mill operators phone in to compare notes on gradient shift, bath exhaustion, or water recycling setups. We log these calls and sometimes send samples to diagnose filter or pump issues in customer plants, improving process uptime. Pilot-scale external testing supplements in-house quality checks, building a feedback loop that keeps our Acid Red 13 performing at a steady, reliable level.
Maintaining root-to-top traceability gives customers peace of mind. We keep lab samples from every batch shipped for several years, providing a resource for troubleshooting or comparison. Some customers run blind checks for shade consistency and purity before introducing new lots into production. Matching their requirements keeps us sharp—every slight change in raw material or process gets noted and, if needed, corrected in subsequent runs.
Residual salt, off-odors, and trace metals all matter in end markets. Decades back, we received cases of sulfurous off-odors and occasion dulling; systematic review of our synthesis steps eliminated these challenges. Our process now strictly controls reaction pH, rinsing, and drying stages. Introduced in-process checks at several stages, this move trimmed the rate of customer complaints and improved repeat orders.
Low durability in some competitor dyes—excess bleeding or rapid sunlight fading—inspired us to upgrade stabilizer use, preserving dye structure and color fastness. We’ve collaborated with application experts to tune our formulations, achieving improved resistance without over-reliance on costly finishing chemicals. Such work flows back to our R&D, underscoring why plant-level knowledge always beats theory in coloring chemistry.
For the paper sector, costs go up quickly if retention or shade targets drift. Acid Red 13’s particle size, purity, and high solubility minimize waste and keep operators productive. Streams from our finishing stages head to effluent treatment with substantially reduced AOX and total organic residues since we transitioned to new filter presses and chemical recovery units. Customers worried about compliance and downstream restrictions can trace chemical composition—our openness about material origins, lot testing, and content builds trust rather than guesswork.
Guaranteeing a reproducible shade and performance never stops. Regular process reviews and outside audits keep us alert to batch drift, color variation, or impurity spikes. Our in-lab experts run each lot against a reference shade, using both visible spectrum analysis and hands-on drawdowns on real textiles and paper. If a deviation appears, we halt shipment, rework the lot, and prevent off-standard goods from reaching customers. This hands-on vigilance has built long-standing relationships and keeps feedback channels active.
Down-to-earth quality management means watching for practical bottlenecks, not just chasing fancy grades. A few years back, we faced backlogs due to filter clogging and over-dried powder. Fixing air flow, updating sieve screens, and tweaking humidity control on our lines solved the issue, shortening delivery times. Investing in easier-to-use packaging, robust sample retention, and simple labels improved warehouse inventory flow for both us and our buyers.
Rising demand for sustainable practices drives us to support finished product requirements like fastness, bleed resistance, and low-environmental impact from the upstream side. Our technical staff work on-site with major clients to optimize cycles, balancing powerful reds with discharge standards and worker safety. Open communication runs both ways; we learn from plant-side innovations, and customers benefit from our updates on improvements or harm reduction steps.
Practical experience shows that resource-saving benefits flow when application and manufacturing connect. Reusing dye liquors, reducing hot water cycles, and improving dye drainage move beyond buzzwords into real cost and sustainability savings. Acid Red 13, repeatedly tested by factory workers and quality engineers, delivers predictable results with less need for “fixing” steps or extra chemicals that can burden water treatment. End-users who once faced stubborn foam or wasted rinse water in their finishing lines now see cleaner output, steadier shade, and lower running costs.
As regulatory frameworks on dyes tighten, routines for screening and batch record-keeping matter even more. By keeping our analyte reports, batch history, and production recipes transparent to customers, we smooth out the pressure around compliance reviews and supplier scorecards. Compared to third-party traders who might lose batch traceability along the chain, direct manufacturing closeness lets us fix problems at the root and share real-time updates on improvements—or respond rapidly if a challenge surfaces after delivery.
Applying Acid Red 13 in textile, paper, or leather production means more than picking a colorant from a catalog. Each batch, ground and checked on our lines, affects both the technical finish and operational flow in our customers’ plants. The production path we follow—tight process control, continuous feedback, steady batch improvement—comes from generations of experience and a drive to keep users satisfied.
Remarks from our dye shift supervisors, maintenance staff, and technical sales group filter back daily into our process flows. Years spent addressing what really matters—on-floor safety, reliable shade, regulatory ease, and support close to real-world use—sets our Acid Red 13 apart from simply functional pigment to a dependable, user-tested solution for industry professionals. We invite ongoing collaboration, tests, and feedback, trusting that the partnership between manufacturer and end-user sharpens both product and process.