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HS Code |
512221 |
| Product Name | Acid Nigrosine Black 2 |
| Chemical Formula | C22H17N5Na2O9S2 |
| Cas Number | 8005-03-6 |
| Molecular Weight | 616.51 g/mol |
| Appearance | Dark brown to black powder |
| Solubility | Soluble in water |
| Dye Class | Acid dye |
| Colour Index | CI 50420 |
| Application | Biological staining, textile dyeing, inks |
| Melting Point | Decomposes |
| Storage Conditions | Store in a cool, dry place |
| Synonyms | Nigrosine WS, Acid Black 2 |
| Ph Range | 2.0 - 8.0 |
| Light Fastness | Moderate to good |
| Odor | Odorless |
As an accredited Acid Nigrosine Black 2 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Nigrosine Black 2 is packaged in a sealed, labeled 500-gram HDPE bottle, featuring hazard symbols and handling instructions. |
| Shipping | Acid Nigrosine Black 2 is typically shipped in tightly sealed, labeled containers to prevent moisture absorption and contamination. It should be handled as a non-hazardous dye, kept away from strong oxidants, and stored in a cool, dry, ventilated area. Standard shipping regulations for non-dangerous chemicals apply unless otherwise specified. |
| Storage | Acid Nigrosine Black 2 should be stored in a tightly closed container in a cool, dry, and well-ventilated area, away from direct sunlight and incompatible substances such as strong oxidizing agents. Keep it away from moisture and sources of ignition. Proper labeling and secure placement are essential to prevent accidental spillage or exposure. Always follow local regulations for chemical storage. |
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Purity 98%: Acid Nigrosine Black 2 with purity 98% is used in textile dyeing applications, where it ensures uniform deep black coloration on natural fibers. Solubility in Water: Acid Nigrosine Black 2 with high water solubility is used in ink manufacturing, where it provides stable dispersion and strong color intensity. Molecular Weight 616.49 g/mol: Acid Nigrosine Black 2 with molecular weight 616.49 g/mol is used in leather finishing processes, where it offers excellent colorfastness and resistance to abrasion. Lightfastness Grade 4: Acid Nigrosine Black 2 with lightfastness grade 4 is used in paper staining, where it delivers durable black shades that resist fading under light. pH Stability 4-7: Acid Nigrosine Black 2 stable in pH 4-7 is used in aqueous coating formulations, where it maintains consistent coloration and performance across varying pH conditions. Particle Size ≤10 µm: Acid Nigrosine Black 2 with particle size ≤10 µm is used in aqueous inkjet printing, where it ensures smooth ink flow and prevents nozzle clogging. Melting Point 220°C: Acid Nigrosine Black 2 with a melting point of 220°C is used in thermoplastic polymer coloring, where it provides thermal stability during extrusion processes. Stability Temperature up to 120°C: Acid Nigrosine Black 2 stable up to 120°C is used in water-based paints, where it maintains color integrity during heat-drying operations. |
Competitive Acid Nigrosine Black 2 prices that fit your budget—flexible terms and customized quotes for every order.
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The hum of reactors and the smell of fresh batches form the backbone of my days, and Acid Nigrosine Black 2, often known as C.I. 50420, takes up its fair share of space on our production floor. As a chemical manufacturer, I have spent years refining our process, troubleshooting every bottleneck, and learning exactly what makes this black dye tick. There are black colorants out there that look similar to the naked eye, but those who have stood at the controls of a batch reactor understand the difference that small details make. Here at the plant, Nigrosine Black 2 has its own reputation among both my colleagues and our customers. Success with it isn’t about a lucky run; it comes from understanding its chemistry, quirks, and value as a product.
Acid Nigrosine Black 2 is an aniline-derived dye, made through a carefully balanced oxidation of nitrobenzene, aniline, and sodium nitrite, salted out and purified. We have watched process improvements sharpen the color strength, raise solubility, and reduce the scattering of byproducts that cause muddy color or excess ash in some lesser-quality supplies. Each batch run goes through our in-house tests for purity and performance: water solubility, homogeneity, brightness under standard illuminants, and resistance to fading or discoloration from acids or light. Clients who rely on us for their black dye needs—whether for paper, leather, or ink—see the value of a product that keeps tone and shade unwavering over months and years. We keep tight documentation not because the market demands it, but because catching a shift in pH or impurity level before packaging saves us far more trouble than it creates.
Many black colorants crowd the shelves—direct blacks, sulfur blacks, carbon black dispersions—but Nigrosine Black 2 stands alone because it dissolves readily in water and acid, produces a rich bluish-black, and offers strong affinity to protein fibers. I have manufactured and handled alternative formulations: some carbon blacks don’t dissolve, just disperse; some direct or basic blacks bleed, shift hues, or lack the intensity that many customers want. For an owner of a leather treatment facility or a manufacturer of ballpoint inks, hearing that their black is “almost” as deep as Nigrosine rarely means anything positive. My experience blending Nigrosine with various bases and binders shows its flexibility across pH, temperature shifts, and common formulating agents—qualities that other black dyes struggle to maintain in industrial use.
You notice the demand curve of Nigrosine black fluctuate less than most specialty chemicals. This steady pull from industries like leather, paper, textile, and ink rests not just on color, but also on how Acid Nigrosine stands up in different applications. The bluish tint appeals to manufacturers aiming for depth in black—no greenish cast on leather, no brownish tone with iron salts in paper. In wool and silk dyeing, the dye binds well, and rarely does a customer complain about rub-off or washfastness with proper finishing. Ink producers particularly appreciate how Nigrosine can be combined with resin and solvents to create both water-based and spirit-based writing inks. I recall more than a few customers switching back to Nigrosine after testing “modern” black alternatives that left ribbon printers clogged, or ballpoints prone to uneven color.
As manufacturers, we know how published specs in a datasheet sometimes tell only part of the story. On the shop floor, the actual form—whether powder or granule, the full range of soluble content, the amount of ash or insoluble residue left after solution—matters more. Our Nigrosine Black 2 is typically supplied as a fine black powder, with strong solubility in water and ethanol, and a dye strength we keep within a tight tolerance. This is not by accident. Overheating the oxidizer, not controlling pH during synthesis, or skipping the chelating wash could leave a load that fails to dissolve or shows unexpected undertones. The best documentation does nothing if those details don’t hold true batch after batch. We constantly verify shade, filtration, lightfastness, and pH in our QC lab using reference standards—our own and international ones.
Every dye house, tannery, or ink facility deals with the realities of loading, weighing, and dissolving dyes on a tight schedule. We design our Nigrosine so it flows easily, resists caking, and dissolves quickly into production tanks. No customer wants a slow-dissolving powder, clumping at the bottom of the tank, forcing them to stop a line for extra mixing or filtration. I’ve had direct conversations with operators who used samples from the cheaper corners of the market, only to spend valuable time cleaning undissolved granules from their pumps. In our production, we have adjusted particle size and dryness not because a regulatory agency told us to, but because enough customers reported clogging. We listen, change our milling technique, and test again until complaints drop to zero. That’s the cycle of genuine chemical manufacturing.
Producing an oxidized dye like Nigrosine, with its origins in aniline, means facing scrutiny regarding emissions, hazardous waste, and water contamination. As manufacturers, we live under increasingly strict regulations, and many of our clients ask for detailed data on heavy metals, formaldehyde, and other impurities. I remember five years ago, we overhauled our wastewater treatment—adopting new catalytic reduction units, implementing a full closed-loop water recirculation, and switching some process steps from batch to continuous mode. That investment cost us months in plant downtime, but we saw a clear drop in effluent color, lower organic load, and cleaner air emissions. Our customers may not see these changes directly, but they gain a sense that their supply chain isn’t under threat from sudden regulatory changes or greenpeace headlines. Our documentation now highlights low levels of metals and aromatic amines, not because it looks good in brochures, but because lowering those numbers meant we could keep delivering dyes in an era where old processes would have forced a shutdown.
I have spent early mornings and late nights trialing other black dyes that customers suggest. Sulfur blacks cheapen the upfront dye cost, but break down under acidic conditions and will not dissolve, so textile finishers battle persistent specks and dull, unblended colors. Direct blacks—especially those based on benzidine derivatives—raise ongoing health and regulatory questions. Nigrosine Black 2, by contrast, offers no odor, faster washout, and much better color saturation with protein fibers. When faced with a decision in our finishing plant, it always comes down to what saves time and headaches. Nigrosine helps us and our customers avoid buyer remorse from poor tone reproducibility, shift in color due to water quality, and slow cleanup. I have seen no direct black that matches Nigrosine for quick-dissolving action and rich shade on a neutral substrate.
Nigrosine Black 2 appears in far more finished goods than many realize. In our records, customers come back for their next shipment for use in shoe leather, blackboard paints, plastics, foams, buffing compounds, and even as tracer dyes in industrial leak detection. Our technical team often ends up providing guidance on unusual uses: anti-stain agents in cutting fluids, pH indicators, or short-run prototype blends where a cheap, deep dye plays a supporting role. The properties of Nigrosine—its water solubility, chemical stability, ability to blend with acids and resins—give it a place in processes where few blacks work properly. I remember a packaging print company who switched to an organic pigment, only to find out the hard way that their old printers required the special solvent compatibility of acid Nigrosine.
For tanners and finishers, our Nigrosine Black 2 finds its main use either in direct aqueous application baths or as part of a surface resin formula for sheepskin, goat leather, or suede. Customers want color uptake and coverage, but also demand a black that stays black with wear and exposure. Porous leathers remain a challenge, but with the right adjustment of surfactants and auxiliary chemicals, Nigrosine fills pores better than most alternatives. Seeing tanneries finish thousands of hides per week with our product, and not hearing complaints about uneven color, gives us confidence in what we’ve built into the production process.
In the paper industry, Nigrosine aids in coloring types that need more than lignin-based pulp blackening. Its solubility and acid stability means it works in both acid and neutral sizing systems, giving a bluish-black result that holds up well to sunlight and moisture. For specialty papers, like cigarettes or decorative types, customers specifically cite Nigrosine for the deepness and clarity of the black, which basic blacks or recycled carbon can’t consistently deliver.
Textile users, particularly those working with wool, silk, or polyamide blends, lean on Acid Nigrosine for its affinity to protein. The color fastness isn’t in the same league as reactive or vat dyes, but for applications where rapid penetration and surface coloration matter—like felt, embroidery threads, or rug yarns—Nigrosine offers speed and flexibility. Having supplied both high-end textile houses and volume producers, I see firsthand how process control in our factory translates to fewer dyeing mistakes by the end user.
Ink manufacturers create water-based, oil-based, and alcohol-based writing inks, stamp pads, and specialty pen formulations with Nigrosine Black 2. What matters most is color strength and flow; a batch of dye that clogs filters puts production behind schedule. From my own experience, newer clients arrive after struggles with poor filtration, variable shade, or resin compatibility from derivatives or off-brand Nigrosine. Our steady batch quality, low ash content, and predictable solubility make it easy for them to return for refill orders. Our QC team keeps records of finished ink samples to spot trends and catch issues that might go unnoticed by others less invested.
In coatings, Nigrosine works as a colorant for synthetic leather, PVC, floor tiles, and anti-static agents. One key issue is chemical compatibility—how the dye interacts with plasticizers, stabilizers, or curing agents. Acid Nigrosine’s broad tolerance reduces reactivity issues, fading, or splotching. Experience taught us to supply ultra-fine forms for certain clients, and keep samples on hand to replicate customer issues and solve them in our pilot plant. That back-and-forth goes beyond a sales transaction; it shapes how we update our own manufacturing controls and QC protocols.
Nearly every large-scale user of black dyes worries about what happens when a shipment doesn’t perform as expected. As a manufacturer, I know trust comes from traceable batch records, available samples from every lot, and a commitment to problem-solving rather than deflection. Over the years, we have dealt with bottling line clogs, uneven color on wide-format printers, and rare cross-contamination from an upstream supplier. Solutions come from keeping batch data for years, performing side-by-side customer trials, and sending out technical teams rather than just emails. Traceability isn’t an afterthought: it’s our daily insurance policy. Batch failures or customer complaints rarely reach crisis point here because our process controls and retention samples give us data to identify causes and propose real fixes.
Meeting legal standards for dye production counts as a baseline, not a badge of honor. The years I’ve spent on the plant floor showed me that certifications and test certificates mean little if you don’t act on feedback. We study customer returns, hire outside labs to verify our heavy metal and aromatic amine levels, and regularly check our process against international and local regulations. By setting our benchmarks above legal minimums, we keep doors wide open for exports and sidestep disruptions from regulatory shifts. Our clients rarely notice the monthly internal training or the countless hours spent on batch analytics, but they benefit when there’s no surprise in quality or compliance.
The dye industry faces shifting sands—supply chain volatility, stricter environmental laws, rising costs for key feedstocks. Acid Nigrosine Black 2 isn’t immune. Every year, new pressures push us to source aniline and nitrobenzene more ethically, move toward green chemistry, or shrink our energy consumption. While direct customer requests drive many of our changes, sector-wide trends—like the phaseout of high-amine byproduct dyes or consumer demands for “ecological black”—mean our old methods need upgrades. We stay competitive by updating oxidation technology, automating more QC checks, investing in better air scrubbing, and seeking out new raw material partnerships. Some answers are technical—a better chelator, a more selective catalyst, a tweak in filtration protocols. Others come from open dialogue with customers and regulators alike; no two production years look the same here, and experience teaches us flexibility counts as much as formal training.
For me and many on my production team, the effort poured into each shipment of Acid Nigrosine Black 2 reflects years of experience, tight process controls, and adaptation to a world that gives manufacturers less room for error. The dye retains its place in so many industries because we choose each ingredient for purity, tweak our process with customer input, and solve problems with data rather than excuses. Nigrosine Black 2 doesn’t succeed because it’s the only option; it succeeds because its balance of performance and reliability stands up to the sharp scrutiny of both end users and inspectors. Our team’s expertise, rooted in practical manufacturing, thorough quality control, and honest communication, shows in every delivery that leaves our shipping floor.