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HS Code |
444457 |
| Product Name | Acid Chrome Black T |
| Chemical Class | Azo dye |
| Color Index | C.I. Acid Black 52 |
| Cas Number | 2519-30-4 |
| Molecular Formula | C19H14CrN6O8S2 |
| Appearance | Dark brown to black powder |
| Solubility | Soluble in water |
| Use | Textile dyeing and printing |
| Ph Value | 5.0 – 7.0 (1% solution) |
| Light Fastness | Good |
As an accredited Acid Chrome Black T factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Chrome Black T is packaged in a 25 kg tightly sealed fiber drum with inner polyethylene liners, prominently labeled with hazard information. |
| Shipping | Acid Chrome Black T should be shipped in tightly sealed containers, protected from moisture and direct sunlight. It must be labeled according to hazardous chemical regulations and kept away from incompatible substances. Ensure packaging prevents leaks and contamination. Handle with care during transit, following all applicable transport and safety guidelines. |
| Storage | Acid Chrome Black T should be stored in a tightly closed container in a cool, dry, and well-ventilated area away from incompatible substances like strong oxidizers. Protect from moisture, heat, and direct sunlight. Ensure storage areas are labeled and have appropriate spill containment measures. Use corrosion-resistant shelving and avoid contact with metals to prevent contamination or hazardous reactions. |
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Purity: Acid Chrome Black T with 98% purity is used in textile dyeing, where it ensures uniform coloration and high colorfastness. Molecular Weight: Acid Chrome Black T with a molecular weight of 616.49 g/mol is applied in wool fiber dyeing, where it provides deep black shades and excellent penetration. pH Stability: Acid Chrome Black T stable between pH 2–5 is used in silk dyeing, where it maintains consistent shade intensity and prevents dye degradation. Solubility: Acid Chrome Black T with high aqueous solubility is employed in ink formulation, where it enables smooth dispersion and improved print quality. Light Fastness: Acid Chrome Black T exhibiting high light fastness is used in leather processing, where it delivers lasting black color under UV exposure. Thermal Stability: Acid Chrome Black T stable up to 120°C is used in nylon dyeing, where it prevents shade alteration during high-temperature processing. Particle Size: Acid Chrome Black T with fine particle size below 10 microns is utilized in pigment manufacturing, where it achieves even dispersion and enhances surface coverage. Dye Strength: Acid Chrome Black T with 110% dye strength is applied in acrylic fabric coloration, where it allows for reduced dosing and cost-effective processing. |
Competitive Acid Chrome Black T prices that fit your budget—flexible terms and customized quotes for every order.
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Tel: +8615365186327
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Manufacturing Acid Chrome Black T draws on decades of practical chemistry—both in theory and in the rhythm of daily output. Years on the production floor have shown us what sets this dye apart, and why chrome black continues to find a stable place amid trends and regulatory changes. The model most requested in actual market applications holds a chemical structure based on sodium salt of 1,8-dihydroxy-2-(phenylazo) naphthalene-3,6-disulfonic acid. This dense formula creates an unmistakable deep black, and we source core raw materials such as naphthol, sulfanilic acid, sodium dichromate, and sodium nitrite to maintain a consistent lot-in, lot-out quality.
Acid Chrome Black T—known in the industry under indexes like C.I. Acid Black 52—possesses characteristic solubility, shade, and buffer range. Powdered product typically carries a prominent, bluish-black hue with minimal dusting if handled with practiced care, but experience proves not every batch from every source looks or behaves the same. Water solubility at room temperature stays within practical limits: too much and the dye bleeds, too little and it clogs jets or leaves color gaps. Over the years, we have honed our drying, milling, and sieving procedures so workers down the line—especially those in dyeing and printing—can trust that every sack coming off our dock delivers granular product free of caking and mystery residue.
Interest in this product comes from the chrome complex involved. The dye structure includes both aromatic rings and diazo components, helping it bind more strongly with chromium after fixation on fibers. This trait gives Acid Chrome Black T some core advantages: brightness in darks, high wash fastness, and reliable exhaustion rates. Mills handling wool, nylon, and even certain leather finishes prefer this dye for full, level shades and resilience during post-processing. Plant operators have told us that, without this chrome chemistry, black shades can lose depth or run during hot soaping. Sulfonic acid groups on the molecule interact firmly with fiber, and the presence of chromium increases resistance to acids and alkalis encountered in textile finishing lines.
Textile dyers meet a practical challenge every day: black must look black, not green, not purple, and never streaky. Many choose Acid Chrome Black T for worsted wool yarns, carpets, hats, and military fabrics because the resulting color doesn’t break even after harsh wash cycles. Piece-dyeing operators, especially those working with loose wool or wool-blend blends, can count on regular, repeatable shades at standard pickup ratios. Leather finishers value it for its penetration and shade retention, particularly on tough hides or those requiring deep jet-black finishes for belts, shoes, or upholstery.
Through our long production history, we have learned that the pH of dye baths for Chrome Black T matters. The most consistent, level coloring emerges between pH 4.5 and 5.5. We emphasize this detail not as academic jargon but as real shop instruction—processing outside this envelope results in uneven take-up and off-tones. Chrome Black T also responds to controlled salting and slow raise in temperature: rapid heating or careless addition of salt can cause premature precipitation or spotted dyeing. These lessons do not come from textbooks but from hours spent at the tanks, troubleshooting with shift supervisors who want predictable results, not surprises.
Comparing Acid Chrome Black T with sulfur blacks and other acid blacks brings out some real differences. Sulfur black, which remains popular in bulk cotton dyeing, delivers strong shade at low cost. But it forms by chemical reduction of sulfur in alkaline media and releases byproducts, which may cause problems for effluent treatment and shade reproducibility—sulfur blacks often show variable tone, environmental risks, and rubbing issues when deposited onto wools or polyamides. Acid Black 1 and similar monoazo dyes, common in acrylic or nylon processing, provide reasonably good blackness but lack the depth and wash fastness associated with chromium complexation.
We have listened to customers who switched to Chrome Black T despite its slightly higher per-kilo price because it stands up better to combined light and perspiration fastness tests—particular factories making uniforms have emphasized this requirement. Additionally, after repeated exposure to professional dry-cleaning solvents, Acid Chrome Black T maintains depth on woolen and blended fabrics, whereas certain alternative blacks fade or shift quickly, failing to meet military and institutional standards.
Production of Acid Chrome Black T in our plant follows reaction steps refined over several years. Starting with diazotization of sulfanilic acid, the crew carries out careful coupling with 1,8-dihydroxynaphthalene-3,6-disulfonic acid, then isolates, dries, and grinds the crude pigment. The critical moment arrives during the subsequent metallization stage: incorporation of hexavalent chromium under controlled reduction. Monitoring this reaction ensures ample chromium complex formation without generating unnecessary hexavalent chromium residues—this balance addresses both product quality and worker safety.
We handle post-processing in dedicated rooms with high-efficiency scrubbers. The team samples each batch for shade, moisture content, soluble salt levels, and chromium content. Even a slight shift in these parameters leads to different dyeing behavior downstream, and customers running continuous lines have pressed us for both tight analytics and honest batch-to-batch notifications. If a lot falls outside our standard, we flag and retest—better to lose a drum than to have a customer lose an order. Next to the troubleshooting desks, some ledgers go back decades, tracing shade trends, complaint cases, and application notes.
Experience with Acid Chrome Black T doesn’t rest on one textbook recipe but emerges from solving actual line problems—periodic filter clogging, dyebath instability, effluent compliance—all of which we tackle with direct feedback loops. Control documents in our facility are not dreams of past chemists but living documents, practical steps to keep the line running and customers firmly in the black.
More factories now face audit pressure on dye selection, effluent management, and chemical exposure. An old complaint with many azo and chromium-based products has focused on hexavalent chrome, especially because this species poses documented toxic risks. In our production, each reactor and holding tank goes through regular checks to ensure conversion to trivalent chrome in the finished product, not only to meet international standards but to keep staff safe. Sampling protocols employ spot checks using diphenylcarbazide methods, and batches exceeding limits are removed long before shipping. Compliance isn’t a matter of legal ticking—without actual reductions, future orders remain at risk, and so does our position in the trade.
Plant wastewater contains trace chromate, so we invested in in-line reducing agents and sacrificial iron beds to pull Cr(VI) below acceptable thresholds before discharge. Many regulations now ban or restrict certain dye classes; Acid Chrome Black T falls within permissible limits for most applications when handled and treated in a modernized plant. We see it as our mandate to both inform buyers about correct usage and to support substitutes where regulations make old recipes risky. A few decades ago, little attention reached downstream disposal, but enforcement today is tighter. Taking shortcuts might ease costs for a month, but long-term relationships are built on steady compliance—where customers don’t have to face shipment rejections or remediation expenses.
Dye chemists don’t pick formulas in a vacuum. Raw material selection faces market swings: seasonal shortages of naphthol and chromium salt mean tighter production windows and higher prices. The stability of Acid Chrome Black T means it doesn’t shift much in warehouse conditions—other unstable dyes, including some non-chrome alternatives, show shelf-life decay or shade drift far more frequently.
Globally, as companies focus on eliminating “restricted substances” in apparel, questions about chromium-complex dyes arise. Brands setting their own chemical standards drive adoption of “eco” finishes, lead to increased scrutiny at every stage from formulation to textile finishing and export. Even so, inside specialty sectors, including professional wear, classic tailoring, and heavy-grade woolen carpets, Acid Chrome Black T remains essential—a balance between performance, cost, and compliance. Innovations in reactive or sulfur dyeing nibble at chrome black’s dominance, but technical users with orders needing deep, lasting black find few dependable replacements.
We have sat with finish plant teams troubleshooting spots, streaking, and shade inconsistencies for years. Plants using continuous dyeing mention acid reserve, slow temperature ramping, and staged salt addition with Acid Chrome Black T. Factories dyeing batch style—especially with wool, silk, and nylon—often add levelling agents to avoid banding. Rigid attention to pH matters most: historic jobs lost their luster when stray alkali or cationic agents contaminated the run. Long experience shows that dosing precision and real-world water quality, including hardness and trace contaminants, dramatically affect shade.
For those using the product in leather, drum operators recommend gradual addition and tight control of bating and pickling conditions. If the chromium complexation is rushed, surface over-saturation causes crocking and rub-off, and hides develop an undesirable “grey” instead of a pure black. We have received feedback from the field, where tanneries reporting disappointing results recalibrated their pickles and instantly recovered final product quality. Missteps in the chrome stage set up later complaints—care, patience, and technical feedback loops save both money and time.
Buyers—especially those with repeat orders for large-volume apparel or upholstery—sometimes need slight modifications to the basic Acid Chrome Black T product. Over time, we developed several shade variants, allowing for specific pantone matches or process tweaks. Rather than treating shade as rigid, we maintain flexibility in mixing and milling. This only works because we run each lot through practical trials—test dyeings on production grades, not just lab samples. Over-simplifying product specs can cost both buyer and producer in the end.
As regulations tighten for exports into the EU, North America, and East Asia, customers sometimes ask about chromium-free or metal-complex alternatives. We keep pilot runs and joint formulation projects running in the background. This hands-on approach—testing at 1-10kg scale before scaling to full production—has yielded both direct matches and useful “escapes” when a particular black dye loses approval. Plant managers know that, in tight regulatory cycles, alternatives to Acid Chrome Black T demand proof of performance before they swap out time-tested lines. We see customization as a dialogue, not a one-off transaction.
Manufacturers like us feel market pressure on all sides: raw material volatility, compliance audits, and demands for greener alternatives. The continued success of Acid Chrome Black T depends on honest communication with users, up-front disclosure of possible limitations, and technical support that goes beyond a spec sheet. Not all substitutes have stood the test of mill trials, whether due to dye migration, wash-off challenges, or VOC releases during drying. Years in the business have taught our team that safety, repeatability, and actual line performance outweigh trendy claims—customers, in the end, will know when a product truly lasts in the field.
We see opportunity in continuing to refine both our own plant practices—lowering dust, recovering wash water, introducing safer handling for all chrome compounds—and in supporting partners downstream who want not just dye but reliable, clear advice. As the web tightens with new restrictions, including those around REACH, ZDHC, and local municipal rules, we adapt by investing in cleaner technology, practical training, and building up our knowledge database from every customer complaint and glowing review alike.
Acid Chrome Black T, as produced and delivered from our facility, must earn trust on the shop floor, not in advertisements. Whether for the dyehouse, the leather drum, or the technical evaluation lab, each ton stands as both a chemical and a commitment to the industries who rely on deep, reliable black every day.