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HS Code |
718594 |
| Cas Number | 12219-78-2 |
| Ec Number | 235-414-1 |
| Molecular Formula | C32H20N6Na4O14S4 |
| Molecular Weight | 1003.86 g/mol |
| Color | Blue |
| Solubility | Soluble in water |
| Chemical Class | Anthraquinone dye |
| Appearance | Blue powder or granules |
| Application | Used for dyeing wool, silk, and nylon |
| Absorption Maximum | 605 nm (in aqueous solution) |
| Synonyms | Acid Blue 116, C.I. 62114 |
| C I Number | 62114 |
As an accredited Acid Blue 116 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | Acid Blue 116 is packaged in a 25 kg net weight fiber drum with inner polyethylene lining, labeled with hazard and product details. |
| Shipping | Acid Blue 116 should be shipped in tightly sealed, labeled containers, protected from moisture, heat, and direct sunlight. Transport in accordance with local regulations for dyes and chemicals, ensuring no contamination of other goods. Handle with care to prevent spills and use appropriate hazard labeling if classified as dangerous under transport regulations. |
| Storage | **Acid Blue 116** should be stored in a tightly sealed container in a cool, dry, and well-ventilated area, away from direct sunlight, heat sources, and incompatible substances like strong oxidizers. Avoid moisture contact, and ensure the storage area has appropriate spill containment. Proper labeling and access restriction are recommended to prevent accidental exposure or misuse. |
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Purity 98%: Acid Blue 116 with purity 98% is used in textile dyeing, where it ensures vivid and even coloration of synthetic fibers. Molecular weight 536.04 g/mol: Acid Blue 116 with molecular weight 536.04 g/mol is used in paper coloring, where it provides consistent and long-lasting blue tones. pH stability 2-5: Acid Blue 116 with pH stability 2-5 is used in leather dyeing, where it maintains color integrity under acidic processing conditions. Water solubility 30 g/L: Acid Blue 116 with water solubility 30 g/L is used in ink formulation, where it allows for easy blending and uniform print coverage. Light fastness grade 5: Acid Blue 116 with light fastness grade 5 is used in carpet manufacturing, where it delivers resistance to fading under prolonged UV exposure. Melting point 250°C: Acid Blue 116 with melting point 250°C is used in plastic coloration, where it supports heat-resistant color stability during extrusion processes. Particle size ≤10 µm: Acid Blue 116 with particle size ≤10 µm is used in toner production, where it ensures smooth dispersion and high-definition printing quality. Stability temperature up to 80°C: Acid Blue 116 with stability temperature up to 80°C is used in aqueous coatings, where it preserves color performance during application and drying. Absorption wavelength 610 nm: Acid Blue 116 with absorption wavelength 610 nm is used in analytical reagents, where it enables precise spectrophotometric measurements. Salt content ≤0.5%: Acid Blue 116 with salt content ≤0.5% is used in dye bath processes, where it minimizes contamination and promotes reproducible dye uptake. |
Competitive Acid Blue 116 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
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Years go by and people still ask us how one blue dye can seem so different from another. We’ve spent decades in the dye business, which means we don’t just read textbooks — we test batches, tinker on the lines, and work with partners who rely on every shade to deliver a finished product. Acid Blue 116 brings a depth of color that’s no accident. Every vat, every drum gets made right here in our own facility. That’s how we know what comes out and what ends up in your hands.
Most of the Acid Blue 116 we ship out leaves as a micro-granular powder. Years ago, the market saw lots of crude pastes. Those brought headaches — tricky to dissolve, extra filtering, and messier in the dye house. Our process takes those pain points seriously. The powder settles quickly, dissolves clean, and offers a deep sapphire shade you can spot even in weak baths.
Officially, this is Acid Blue 116 with a strength calibrated to industry expectations. We test these lots daily. A good run shows a high tinctorial value, which means our dye keeps delivering boldness even when diluted. No two production runs look exactly similar, so quality control sits at the front of every batch release. We always hold back samples, rerun shade tests, and check pH ranges so customers see consistency right down to the bottom of each package.
Textile mills ask us for Acid Blue 116 by name. Silk and wool both take this dye beautifully, but so do certain nylons — especially in the hands of skilled finishers. Yarns come back rich and sharp. Dye houses report strong exhaustion rates, which means the color goes into the fiber without leaving much in the bath. Less waste, less rinse water, peace of mind for both quality control managers and production staff watching their costs.
We’ve found that some competitors focus their efforts on only the most attractive-looking blues. Our team believes in the repeatable. Acid Blue 116 comes up time and again for deep, level navies and even tones. Printing shops lean on it for polyester ink formulations. Paper producers trust it for stable blue hues that ride through demanding conversion processes. We’ve talked at length with laundry and detergent formula teams because even in chemical blends, this dye proves stable enough to survive storage and application.
The dye wasn’t born perfect. In our early days, we encountered lots that clumped too easily, kicked up dust, and left particles behind. Customers would call, frustrated by haziness in solutions or speckling in fabrics. We spent months adjusting grind times, humidity controls, and filtration choices. We now spend as much time on air handling as we do with filtration. Our answer: free-flowing, easy-pouring powder that pours smoothly and disperses rapidly in both hot and cold water.
We don’t claim to make miracles. Acid Blue 116 isn’t the most lightfast or the strongest washing-resistant dye out there. It earns its reputation on repeatability for shades that matter. We disclose everything: maximum recommended temperatures, salt levels for level dyeing, and best practices for after-treatments that push fastness further. Some years, new machines in textile lines throw us curveballs. We run new compatibility tests — then publish those results online for all partners.
A crowded dye catalog can make picking the right blue a guessing game. Acid Blue 116 lands as an anthraquinone-based dye, giving it an edge for certain shades and handle. Compared to Acid Blue 25 or Acid Blue 193, ours delivers a crisper hue when pushed to navy. Acid Blue 9, for instance, leans heavily green, which restricts designers shooting for classic darks or deep royal notes. In contrast, 116 keeps fibers in that bold, bluish-violet lane — nothing muddy, nothing drifting into teal.
We also built our manufacturing process to minimize the heavy turbidity seen in less refined versions. Some dyes leave trace residues or cause clogging in spray systems. We caught this problem early in pilot studies. Now, filtration passes mean that nozzle blocks and printhead problems almost disappear in operations using our batches. Our team monitors shipping feedback, scans for complaints on solubility, and keeps an ear to the ground with industrial launderers and water-treatment groups for any signs of non-compliance in effluent streams.
A lot of products enter this market as relabeled material or blend-and-resell jobs. That route may suit a fast order or seasonal demand, but it doesn’t match the consistency required for high-stakes jobs. We manufacture every lot of Acid Blue 116 in our facility. All controls — from feedstock checks to color-matching and strength testing — sit with our own crew. Many finished batches spend extra time in our climate-controlled storage before shipment, which helps keep the finished powder in ideal condition even after weeks in transit.
This isn’t a formula written by an anonymous process. Names and faces work in our plant. They know the smell of a good batch, the visual tricks that hint at an unsolved impurity, and the muscle memory needed to dose batches with the care demanded by longtime customers. We back up those instincts with machines that give us repeatable, transparent numbers. Every year, visitors — sometimes tough industry partners — walk our line and audit our samples. That pressure pushes us forward.
Our mills often hear buyers ask, “Why not just switch to something brighter?” Some blues look stunning on the bench, but fade badly in sunlight or run on the first wash. Acid Blue 116 doesn’t break records for sunfastness, but its balance between handle, penetration, and depth meets industry trends for workwear, uniforms, and rich digital prints. For food contact paper and sensitive packaging, we run extra purity screens and wash-tests to clear regulatory lines.
Some countries apply their own purity metrics. We don’t rely on overseas certificates alone — we test for our own strictest spec and archive those results. Where textile controllers push standards on azo content or migration resistance, we redesign process steps rather than hunt for shortcuts. We receive demands for certifications spanning ISO, OEKO-TEX, and beyond. Our team maintains a full chain of custody on raw materials to keep batch homogeneity consistently high.
No dye leaves a plant and fits perfectly into every mill or mixing tank. We field daily calls about foaming, stubborn residues, or unexpected color shifts driven by water hardness swings. Our approach: run water from our partners' region through simulation trails and post those results back to every partner who needs them. Hard, alkaline water can throw all blues into unexpected ranges, but we help customers pre-condition both bath and substrate — not because it sells more, but because headaches from unpredictable results risk real partnerships.
We deal with emerging sustainability pressures, too. Over the past five years, waste stream controls tightened. Dyes that once flew off the shelf have fallen out of favor because of high chemical oxygen demand or long-term breakdown issues. Our Acid Blue 116 recipe comes with a plan for waste treatment. We share results of in-house breakdown trials and partner with independent labs to assess effluent safety. That spirit of transparency matters because even reliable performers need periodic updates as regulations shift.
Bulk textile dyeing highlights strengths and limitations. Mills running thousands of meters a day watched older supplies of blue 116 clump or settle unevenly. We changed particle profile and kept an open feedback line with those mills. Today, the powder flows and dissolves without leaving ghost marks or streaks. For digital printers, powder regularity makes a difference — inconsistent grains risk hardware cycles. Equipment maintenance teams see that regularity pays off in fewer callouts.
Our R&D runs trials on blends with auxiliaries common in large systems. Some batches of acidic wool dyeings, for instance, foam up if the wrong defoamer concentration sneaks in. These are not theoretical details — they affect yield and downtime. By logging every variable, mapping outcomes, publishing the full dataset to mills, we’ve helped partners squeeze more output out of each kilo purchased.
Service calls with dyehouses and ink developers, especially those building brand shades for years, showed us one thing: reliability is hard-won. Anyone can ship a nicely colored powder once. Those who plan for multi-season collections or whose compliance teams demand years of data gravitate toward stable suppliers. We document each lot for traceability, track complaints through a single database, and run recurrence checks on the rare issues flagged.
Many designers ask for evidence of long-term performance — and end up running their own checks. We encourage it. Results from their internal testing help us spot rare batch-lot problems faster. It’s also fair to say that with digital printers, even subtle lot-to-lot differences matter. We support partners by running shade cards and spectral scans up-front, and keep tight dialogue open to agree on processing tweaks if we spot batch anomalies.
Dyes carrying similar names can mislead. Take Acid Blue 62 or Acid Blue 80 — both see use in different textile segments, but their undertone and stability don’t always meet wider applications like printing or paper. Acid Blue 116 balances low-cost mass dyeing with precision-shade jobs. It doesn’t lean green or purple at normal concentrations, which makes work easier for teams hunting for a neutral but vivid blue.
Our technical staff frequently discusses options with customers. Some jobs require faster wet-fastness or higher migration resistance, where another dye might suit. For general purpose blue with a track record built on hundreds of scale-ups, we find Acid Blue 116 solves more problems than it creates.
Some of our earliest customers still count on Acid Blue 116 for small-scale dye mixes. Artisans, hand-dyers, and design schools reach out to us for batch support. Some use it for specialty paper, others for experimental textiles that land on runways or in galleries. Large industrial accounts run tanks, rollers, and finishers at full tilt, where throughput and trouble-free operation matter more than anything.
We’ve noticed that scaling dye from a small pilot run to a full-sized process isn’t always seamless. Color drift, pH swings, and unexpected after-fix problems keep happening. Our engineering team documents these scale-up hiccups, maps out correction strategies, and revises batch recommendations in response to new machinery or environmental changes. Partners see us not as a commodity provider, but as a support team deeply invested in their finished products.
Feedback shapes our pathway. Complaints get treated as early warnings, not annoyances. Labs and in-plant teams are encouraged to share any findings, even if a single patch of off-shade comes up in a huge order. The ongoing dialogue builds trust and helps us design more robust testing criteria for the next crop of batches. Each lot that leaves our plant has passed both traditional visual grading and digital checks — but human judgment and innovation never get sidelined.
From fiber-to-fabric to packaging and printing, the blue we make today stands taller because of decades worth of lived mistakes and resolved challenges. It’s rare that a product stays relevant this long in the fast-moving world of chemical colorants, but keeping an ear to the market and learning from its shifts has been our surest safeguard.
Developers keep pushing for better dyeing processes, lower energy footprints, and cleaner waste streams. Each push changes how Acid Blue 116 enters workflows. We follow these trends by exploring slightly different salt and acid tolerances and testing performance under new, lower-temperature dyeing protocols. Customers want practical, step-by-step help rather than broad guarantees. We respond by collecting field data and feeding it back into next month’s batches.
The path isn’t always smooth. Regulatory change sometimes forces a tweak or new filtration strategy. Sometimes external lab results spark new pilot runs. Through all those cycles, Acid Blue 116 supports more than just color: it represents partnership, reliability, and a steady hand in a market that only rewards consistency.
Acid Blue 116 reflects more than chemical know-how; it points back to the people and processes turning raw stock into finished goods, color by color. Honest, open communication — from addressing a color drift in a high-profile run to tweaking process controls for local water chemistry — makes this work satisfying and sustainable. The same dye once destined purely for textiles now finds new life in print media, technical paper, and applications beyond what the makers first imagined. We only know this because our community trusts us with their latest challenges and lean on us for practical solutions.
Each gram of Acid Blue 116 pouring into a dye bath or printer lines up with decades of effort spent refining, testing, and improving. We take every inquiry seriously — not as an interruption, but as the next step in the ongoing evolution of our craft.