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HS Code |
644378 |
| Cas Number | 8002-51-1 |
| Molecular Formula | C20H13N5Na2O10S2 |
| Molecular Weight | 625.46 |
| Ec Number | 616-916-5 |
| Color Index Number | 20470 |
| Appearance | Black powder or granules |
| Solubility In Water | Soluble |
| Application | Textile dyeing, leather dyeing |
| Ph Value | 5-7 (1% solution) |
| Light Fastness | Good |
| Chemical Class | Azo dye |
| Commercial Names | Naphthol Black, Sumi Black |
As an accredited Acid Black 2 factory, we enforce strict quality protocols—every batch undergoes rigorous testing to ensure consistent efficacy and safety standards.
| Packing | The packaging for Acid Black 2 is a 25 kg blue plastic drum, labeled with product name, batch number, and safety instructions. |
| Shipping | Acid Black 2 is shipped in tightly sealed, moisture-proof containers to prevent contamination and degradation. Packages are clearly labeled according to regulatory requirements, and handled with appropriate personal protective equipment. Transportation is conducted by qualified carriers in compliance with local, national, and international chemical transport regulations to ensure safety and product integrity. |
| Storage | **Acid Black 2** should be stored in a cool, dry, well-ventilated area away from direct sunlight and sources of heat or ignition. Keep the container tightly closed and clearly labeled. Avoid contact with oxidizing agents, strong acids, and bases. Proper personal protective equipment should be used when handling, and storage areas should be equipped to contain accidental spills or leaks. |
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Purity 98%: Acid Black 2 with purity 98% is used in wool dyeing processes, where it ensures deep and uniform black shade penetration. Molecular Weight 616 g/mol: Acid Black 2 at molecular weight 616 g/mol is used in silk printing applications, where it provides consistent chromatic intensity and fastness. pH Stability 2-5: Acid Black 2 with pH stability 2-5 is used in the acid dyeing of nylon fibers, where it maintains color brilliance over varying bath conditions. Solubility 40 g/L at 20°C: Acid Black 2 with solubility 40 g/L at 20°C is used in aqueous ink formulations, where it delivers homogeneous dispersion and print clarity. Heat Stability up to 130°C: Acid Black 2 with heat stability up to 130°C is used in industrial textile processing, where it retains color strength and avoids decomposition during high-temperature treatments. Lightfastness Grade 5: Acid Black 2 with lightfastness grade 5 is used in automotive upholstery dyeing, where it guarantees superior resistance to fading under UV exposure. Particle Size ≤10 μm: Acid Black 2 with particle size ≤10 μm is used in pigment dispersion manufacturing, where it improves suspension stability and reduces sedimentation. Melting Point 220°C: Acid Black 2 with a melting point of 220°C is used in high-temperature resistant coatings, where it achieves durable black coloration without degradation. Viscosity Grade Low: Acid Black 2 with low viscosity grade is used in jet printing inks, where it enables smooth nozzle passage and precise droplet formation. Storage Stability 24 months: Acid Black 2 with storage stability of 24 months is used in bulk textile dye stock, where it ensures long-term usability without color degradation. |
Competitive Acid Black 2 prices that fit your budget—flexible terms and customized quotes for every order.
For samples, pricing, or more information, please contact us at +8615365186327 or mail to admin@ascent-chem.com.
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Tel: +8615365186327
Email: admin@ascent-chem.com
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Anyone who spends their days around the tanks and kettles knows how much pigment quality shapes a manufacturer’s daily results. Acid Black 2—often called Naphthol Black or Soluble Black—has earned a steady place in the lineup for a reason. As a direct dye based on aniline and naphthol chemistry, this black dye brings together deep tone and steady solubility, making it a familiar companion not only to textile finishers but also to leather tanneries, paper mills, and ink formulators.
Acid Black 2 comes from a class of acid dyes with real depth in their molecular structure. Its principal form, as we make it, follows the C.I. 50420 designation—a water-soluble, powdery solid, usually found in shade numbers ranging from rich blue-black to warm black depending on the production method and intermediates selected. From the first batch in the reactor, we track color strength and shade by physical comparison—not just numbers. It’s not unusual for shades to drift slightly from supplier to supplier, but using controlled pressure and a steady steam flow during synthesis helps us reduce unwanted variability.
By putting in years on the shop floor, we’ve learned small tweaks during diazotization or coupling play up in the final tone. Overheating triggers red shifts. Incomplete precipitation leaves you with a muddy dye liquor and poor wash-down performance. We run regular anchor tests and set our shade against standard cards to make sure the shipment matches the order in hue, depth, and solubility.
Factories count on Acid Black 2 for its ability to bond decisively to protein fibers when applied under acidic conditions. Wool, silk, and leather—all take the color up fast, which leads to lower cycle times and predictable shades—valuable in production where every minute matters. The dyebath stands up to good liquor ratios, giving the color room to stretch deeper into the fiber. That means larger lots run with fewer defects tied to patchy color. For people working with nylon, it provides a robust black when other alternatives turn out uneven or weak tones.
Paper producers looking for a deep, blue-leaning black find that Acid Black 2 not only produces rich color in machine-finished grades, but also holds its character in recycled pulp. Its high solubility lets it disperse quickly through the stock, cutting down on streaking and mottle. Ink makers appreciate its compatibility in formulations where a stable, vibrant black is critical for offset and flexo processes. Here, both water solubility and resistance to feathering on porous stocks matter just as much as the shade itself.
A lot happens between the first drum of dye and the finished product. Acid Black 2 behaves best when kept dry and free of contamination. Our dry blending and screening equipment catch clumps and fused particles before they reach the packing line, keeping the product fine and free-flowing. This matters because customers in textile and ink sectors rely on dust-free powders to avoid clogging and downtime. Poor sieving or excess adsorbed moisture leads to lumps and dosing headaches—not rare in the trade, but avoidable with sound process controls.
Our operators keep batch records and spot-check each lot for moisture content and pH stability. Subtle changes in the pH endpoint can tip performance, either boosting or undercutting exhaustion rates in the dyebath. In the plant, we keep a close eye on batch-to-batch deviation, because customers get frustrated when their recipes need to be rebalanced just to hit the same shade. Routine trials on core substrates like wool flannel, silk, and tanned hides reveal how each batch holds up, not just in lab beakers, but in real mill and tannery settings.
We get plenty of questions from technical buyers who want to know why Acid Black 2 stands out. Differences make themselves obvious in the field, not just on a datasheet. Basic black dyes—like Basic Black X or cationic blacks—deliver strong color on acrylics and paper, but they fall short on protein fibers because cationic groups do not bond efficiently under acid conditions. Vat and sulfur blacks bring more washfastness to cotton, but they demand extra reduction and oxidizing steps, lengthening cycle time and raising chemical costs. For settings where rapid dyeing and soft hand feel on wool or silk are more important than the top-end wetfastness of a sulfur or reactive dye, Acid Black 2 stays ahead.
There’s also the matter of color tone. Acid Black 2 leans to a blue-black, setting it apart from yellower or browner blacks—those may not match the shade cards brands and designers expect. In the ink world, pigment blacks—like carbon black—give sharper, lightfast prints on nonabsorbent media, but in water-based ink systems or those needing high solubility, pigment blacks settle or need extra dispersants, slowing production. Acid Black 2 brings a fast-dissolving option for water-based inks, letting formulators mix smooth blacks without grinding or extended agitation.
Modern manufacturing grapples with more than color depth and speed. Regulatory demands are high. Acid Black 2, like other azo dyes, puts pressure on wastewater management. Unfixed dye in effluent calls for thorough purification—advanced oxidation or activated carbon, for example, to bring down chemical oxygen demand and remove color from final discharge. Our shop has invested in closed-loop water recirculation and multi-stage filtration to lower dye losses and minimize color in our drainage.
Addressing residual amines—byproducts of incomplete coupling—remains a daily concern. Both regulators and downstream partners ask for detailed breakdowns, since some aromatic amines face wide bans in Europe and restrictions in brand supply chains. We update our syntheses, testing for known restricted substances at each step and pushing for precursors of lower-risk classes. The shift to cleaner intermediates raises production cost, but it keeps our product in compliance with the latest GHS and REACH standards.
On the plant floor, dosing accuracy and powder handling matter for worker safety. Agencies set limits on airborne dust. We install dust collectors above our blending and bagging stations, and workers wear masks during startup and cleaning. The value of steady granulation and minimal fines becomes real in handling: less airborne product, cleaner storage areas, and steadier inventory control.
Dyehouse managers demand more than a black number on the invoice. Consistent hue and spectral response save labs lost hours in redoing calibration curves and correction batches. That’s why we retain swatches from each batch, together with L*a*b* color value logs, so returning customers see the same shade as last time. Every time a user calls about a mismatch, it’s not just a technical issue—it’s production hours and lost opportunity.
Factory-scale usage brings up blending and compatibility issues. Some black dyes freak out in mixed shade recipes, throwing unexpected browns or blues that only reveal themselves after fixation. Acid Black 2 keeps its shade stable in both single-batch and multi-component recipes, holding predictable character during steaming and acid-fixation common in silk and wool dyeing. Our technical team runs small-scale tests matching customer processes, adjusting our own recipes until the result translates on their equipment before scaling up.
It’s easy for triazine-based dyes or higher molecular weight blacks to outpace Acid Black 2 in wetfastness, but those same molecules usually lag in dye rate, require hotter baths, or generate more aggressive waste during scouring. In quick-turn, low-liquor applications and where energy costs matter, Acid Black 2 helps balance performance and operating cost.
Engineers and purchasing heads want to squeeze more tonnage out of a bag, but real-world use means balancing color depth, speed, and fastness. Acid Black 2 does not hit top marks in fastness on cellulose or in severe laundry, but on protein fibers, its quick strike-up and depth win out, especially for mid-range and dark lots. We work directly with mills to tune auxiliaries and pH controls, getting the most out of each run without slipping outside quality control limits.
There’s no escaping that every dye presents tradeoffs. Higher fastness options ask for longer cycles or costlier auxiliaries, while lower-cost, faster dyes sometimes leave residues or require extra washes. Our job as manufacturers is to stay out front on technical advances, updating process methods and keeping our product data honest and grounded in real-life plant outcomes—not just lab results.
Real-world support also involves regular visits to customer facilities, offering hands-on troubleshooting when batches show color drift, or when new substrates roll in. Many new synthetic blends push dye behavior beyond routine expectations. Our on-site staff test recipes directly on those lines and feed results back to production, allowing us to tune our process recipes for new fibers or treatments—whether it’s a flame-retardant finish or a new recycled PET yarn.
With environmental and social standards climbing higher every year, our procurement team works closely with suppliers to trace intermediates and push for low-impact, traceable feedstocks. Several overseas sources still rely on older plant processes; we favor raw material suppliers with documented waste controls and audit their compliance, keeping supply lines clear of banned substances and hazardous byproducts whenever feasible.
Energy use during dye manufacture is another pressure point. Steam heating, filtration, and drying account for real money and carbon footprints. We have invested in heat recovery on condensate lines, automated dye filtration setups that save operator time, and reduced rinse loads during cleanup cycles. Triple-wash and recovery systems stretch each kilogram of raw material further—cost savings meet waste reduction in every tweak to batch protocols.
Customers, in turn, face mounting calls from final users for certified, responsibly sourced inputs. Full chain-of-custody records for each production run now roll into our shipment paperwork, making traceability more transparent while shortening reaction time in a product recall or audit query. Acid Black 2, once a basic commodity, has evolved alongside these new demands.
Every batch of Acid Black 2 that leaves our plant holds the results of thousands of small decisions—each color match, moisture check, and weigh-out tells a story about the standards of the operators at the station. Dye chemistry is as much craft as science. We spend as much time training new operators in the “feel” of a batch as we do drilling procedures—recognizing off-odors, odd clumping, or slight shade shifts before a drum ships. That keeps complaints down and confidence up in every downstream process.
Customer feedback cycles straight back to our plant floor. It’s not just about technical specs, it’s knowing where a product trips up in the mill and tuning every stage to smooth production for our partners. Whenever a concern comes in—say, long dissolution time in winter or unexpected residue at mix stations—production and QC teams run full replica trials, then adjust our heating profiles, screen mesh, or grind settings. Those incremental improvements stack up over the years, building lasting relationships with users who know we won’t rest once a dye drum leaves the gate.
Textiles, leather, ink, and technical products evolve with fashion cycles, end-user expectations, and environmental legislation. Acid Black 2 remains relevant not by standing still, but by responding to the pressure points of each sector—speed of application, tone control, compliance-ready composition, and predictable integration into legacy and modern production lines.
Factories, like ours, that work at the scale needed to keep up with global clients invest heavily in repeatability—calibrated mixers, real-time color spectrometry during production, and proper maintenance of all synthesis and recovery vessels. Our product always faces tests measured not just in paperwork, but in how it helps customers avoid rework and downtime. In a business where every hour of idle plant costs serious money, Acid Black 2’s proven track record for rate of application, fast strike-up, and compatibility with protein and polyamide blends makes it a primary choice for mills, tanneries, and printers needing real reliability.
We accept that Acid Black 2 cannot fill every black dye requirement. For high-end apparel requiring top-level wash and light fastness, or for strictly regulated children’s products, some customers switch to newer dye classes. Others use Acid Black 2 in blend recipes, combining its rapid application with small doses of higher-fastness dyes. We assist these efforts by sharing compatibility and recipe guidance based on our own production experience as well as customer trials.
Batch control remains a technical and logistical challenge—the urge to lower costs by cutting process steps only crops up to hurt consistency later. Our technical managers keep a strict line between rushed and properly finished outputs. Automated controls, clear data logs, and independent shade verification all help reinforce disciplined practices. Whether running old-style drum mixers or high-speed inline reactors, it’s daily consistency—driven by trained staff and real transparency—that sets apart a manufacturing operation producing Acid Black 2 that meets today’s global market needs.
Ultimately, Acid Black 2 proves its worth through service and flexibility. From ongoing shade development requested by fast-fashion brands, to compliance-focused reformulations required by global automotive and aerospace clients, we stay close to the market so our production matches up with changing requirements. Our connection to customers, grounded in real plant-to-plant communication, helps lift Acid Black 2 above the level of commodity chemistry and deliver lasting value where it counts—on the factory floor, in finished products, and in the reliability buyers demand for every job.